Directed by:
Martin BourboulonCinematography:
Nicolas BolducComposer:
Guillaume RousselCast:
François Civil, Vincent Cassel, Romain Duris, Pio Marmaï, Eva Green, Louis Garrel, Vicky Krieps, Lyna Khoudri, Jacob Fortune-Lloyd, Marc Barbé, Alexis Michalik (more)VOD (1)
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D'Artagnan, a spirited young man, is left for dead after trying to save a young woman from being kidnapped. When he arrives in Paris, he tries by all means to find his attackers. He is unaware that his quest will lead him to the heart of a real war where the future of France is at stake. Allied with Athos, Porthos and Aramis, three musketeers of the King with an audacious contempt for danger, D'Artagnan faces the dark machinations of the Cardinal of Richelieu. But it is when he falls madly in love with Constance Bonacieux, the Queen's confidante, that D'Artagnan truly puts himself in danger. For it is this passion that leads him into the wake of the one who becomes his mortal enemy: Milady de Winter. (Entertainment in Video)
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Reviews (11)
The concept of an old-school adventure film, the kind that is no longer in vogue today. This is Dumas to the core. Admittedly, in terms of style, it's dirtier and grittier than usual, with a few (not bad at all) subplots of its own, but otherwise it's exactly what you'd want from a modern adaptation of a classic. The production design, the locations, the costumes, the choreography of the single take action, the pacing, the characters, everything is so classic Three Musketeers that is almost surprising. I expected (or rather feared) a greater mincing of the source material in a (post)modern package. As soon as I left the cinema I immediately looked to see when the second part would come, and sadly, it isn’t until the end of the year.
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An adventure classic about a quartet of heroes who, while loyal to the king, only deserve nomination or grace after they polish his antlers. Forget the sleight-of-hand tricks from Herek and Anderson; the French restored their novel heroes' lost honor through naturalness, wit, charm, and kinetic action playing with perspective. The one who would say, "Mission accomplished, the creature is dead" wasn’t on duty at that time, so anticipation for the sequel can fully unfold. Due to Cassel's presence, we can say the same as with Mesrine...
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Fans of Dumas' might not agree, but "The Three Musketeers" is at best "just" period-conditioned consumable reading, excessively naive and heavily romanticized. Directors attempting to adapt the book were aware of its limitations and the resulting risks for today's audience, often opting for exaggeration and comedic stylization. Martin Bourboulon takes a different approach, opting for a "serious" adventure-romantic treatment lined with a star-studded cast and solid production design. It's arguably the "dirtiest" and most raw treatment of the material I've encountered so far. Despite all efforts, it falls short. It encounters similar pitfalls as directors of recent Bond films, trying to imbue their hero with deeper psychology and adding more artistic elements, yet still ending up with an overblown action movie featuring an invincible hero who dispatches scores of opponents without batting an eye. Here, in the confrontation scene with the cardinal's guards, the quartet of heroes handles six times the numerical superiority without a scratch (and moreover, in a disadvantageous situation of surprise and encirclement!). The action fight scenes are mostly shot in a confusing manner, but the positives clearly outweigh the negatives. Eva Green as Milady and Vincent Cassel as Athos are reliable highlights. Overall impression: 80%.
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This is my third encounter with the immortal classic after The Man in the Iron Mask from the 1990 and the somewhat overdone Paul W.S. Anderson adaptation, but I have never read the book, so I can't blame filmmakers for their faithfulness to the source material or lack thereof. After watching this film, however, and considering that the story of The Three Musketeers is split into two films, you can sense that they took care in this regard. As this is a notorious story, the film offers no big plot surprises, but it does offer solid adventure full of action, intrigue and well done fights – the "bloody" wedding or the chase on the cliffs really had some serious moments. I'm curious to see what the sequel will bring, which will give more space to Eva Green, who is perfect in these demonic creatures.
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Gone are the saturated colors and boisterous choreography of Lester’s classic version. Bourboulon has his protagonists rooting around in the dirt and mud, D'Artagnan literally in the first scene. The humor is also gone, but that doesn’t mean that the trio, which is actually a quartet, lacks distinctive wit and charm. The cast is good, the sets are properly shabby, the costumes are dirty and the plot is rife with intrigues. The deviations from Dumas are defensible and it’s apparent that this new adaptation wants to bring more behind-the-scenes scheming into play and somewhat sideline the love motifs, which is fine. It’s a shame that some of the plot shortcuts have slightly confused logic, but after a few doubts about whether all that Protestant fun below Paris is only a needless digression, the feeling that everything can be made into an excellent spectacle in the sequel ultimately wins out. In the end, I'm bothered only by minor issues with the film, mainly the fact that Richelieu is an expressionless character. But everything else works. The one-shot action replaced the playful choreography with physicality and the musketeers soon settle into it. A very respectable contribution to the Dumas canon!
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