Barbarian

A properly intense wild piece that reminds me of my favourite Ghostland. I'm glad to see that every year some talented and unknown horror filmmaker comes along to satisfy our needs for years to come. Zach Cregger has made a very good horror film that can't leave anyone downright cold. Barbarian has perfect craftsmanship (the sound and cinematography are of Wan's caliber). Georgina Campbell and Bill Skarsgård are both perfect (Justin Long a little less so, but it’s alright). The opening is a little slower, but once the action moves to the basement, it starts a hell of an uncomfortable, chilling and intense horror with a very uncomfortable and claustrophobic setting, a properly creepy villain – the best one so far in five years. The film also emphatically emphasizes the rational behavior of the characters, which is a very nice touch. It also manages to pleasantly and unpleasantly surprise the viewer on several occasions, the mystery and thick atmosphere works as well as the fear of the unknown. There were a few heart-attack-inducing jump-scares and of course there was gore – basically, everything we want to see in this genre. I'm giving a standing ovation, tearing my hair out and roaring HELL YEA!. Anyone who is going to be mad at this movie, I'm going to be mad at them. 9/10. (2022-10-28)

It’s a fine thing that Disney+ is debunking the myth of family VoD and premiering interesting horror movies. But Barbarian is overhyped. Screenwriter and director Zach Cregger enjoys playing with form and he respectably builds up the suspense associated with the unknown in the first third of the film. But the later uncovering of the mystery reveals the creative weakness of merely borrowing key elements from the groundbreaking works of the genre and slides into unintentional self-parody in the climax, while thinking it’s cool. This should have been made by an inventive butcher, ideally with European roots, who wasn’t afraid to exploit the potential of the terrifying content of the videotapes. (2022-11-06)

I find it a bit sad and perhaps unfair that audiences in recent years have given more favorable to horror films that subvert, satirise and mock genre tropes, rather than to some of the attempted serious and atmospheric horror films of the traditional cut, which at best end up with a 58% rating, but at the same time it cannot be denied that Barbarian works well in its subversion and surprise. (2022-12-07)

Ignorance truly is bliss. Rarely today do I go to the movies blind, without the slightest knowledge of the premise or the cast. With Barbarian this was a double advantage because the question marks started piling up right from the first few minutes. It's a shame that the opening act is by far the best. Every little twist brings about a first-class thrill, and the last two minutes had me glued so tightly that I almost couldn't bear it. Unfortunately, the second and third acts, when compared directly, are a diluted, subversively told fairy tale that becomes weaker the clearer the who, what, and how become. When even the appealingly rational rules are violated in the finale, and the showdown begins so abruptly that I had to make sure I didn't accidentally skip fifteen minutes of runtime, it seemed almost a pity if you consider the massive yet rather quickly blown potential. (2022-11-02)

Barbarian is without exaggeration one of the most difficult films to review that I have ever had the opportunity to see. It combines several "sub-films" that are qualitatively very different, and this makes the whole result impossible to rate. For me, the first part is without a doubt the event of the year. A woman arrives at an Airbnb accommodation, but there is already one visitor staying there, and so begins a strange night that takes her to a situation no one would envy. It’s an excellent and original idea, with great acting, perfect dialogue and atmosphere, and a masterful build-up, it all makes the first act an unbeatable part that escalates ad absurdum, and I couldn’t even breathe during its finale. But from that point on (which is about halfway through), the story turns 180 degrees elsewhere and the whole hitherto masterful film collapses like a Ferrari hitting a speed bump at 180 km/h. A whole new story and a new character that replace a very intense film with intelligent characters with a disastrous line with an worse protagonist that seems to have come from the hands of a completely different director. And the film follows the same note until the end. The whole thing feels terribly contradictory, towards the end the film lacks logic and idea, throwing one piece of nonsense after another and doesn't know how to go on. I loved the great horror in the first half, when I was chattering in bliss over the film of the year, I hated the ending and I’m disappointed by the unfulfilled potential at the same time, and actually I don't know how to perceive the end result at all, because combining such diametrically opposed two parts in one film is perhaps not even realistically possible... (2022-09-13)