The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
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The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (more)
Directed by:
Andrew AdamsonComposer:
Harry Gregson-WilliamsCast:
Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell, Tilda Swinton, James McAvoy, Jim Broadbent, Kiran Shah, Elizabeth Hawthorne, Patrick Kake (more)Plots(1)
Four young adventurers playing hide-and-seek in the country home of an old professor stumble upon an enchanted wardrobe that will take them places they never dreamed. Stepping through the wardrobe door, they are whisked out of World War II London into the spectacular parallel universe known as Narnia--a fairy-tale realm of magical proportions where woodland animals talk and mythological creatures roam the hills. But Narnia has fallen under the icy spell of a mad sorceress, cursed to suffer through a winter that never ends by the White Witch Jadis. Now, aided by Narnia's rightful leader, the wise and mystical lion Aslan, the four Pevensie children will discover their own strength and lead Narnia into a spectacular battle to be free of the Witch's glacial enslavement forever. (official distributor synopsis)
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Reviews (12)
For adult viewers, this bit of Disney brainwashing is almost indigestible. It conceptually rips of The Lord of the Rings in numerous scenes (mainly through identical camera runs). It’s actually The Lord of the Rings for the youngest children, who can be made happy just by showing them colorful characters running around in a meadow. You won’t find even a nod to adults here.
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Aslan, a witch, a bunch of rascals, some animals, and Santa Claus dealing out weapons... The old TV series adaptation is much better. Unfortunately, this is well-made only in technical terms (but not excellent), without a hint of ideas or invention. It’s boring, and if it weren't for the soundtrack and Tilda Swinton, it would be hard to watch to the end. The naivety of the story can hardly be blamed on the filmmakers, because it is already present to a much greater extent in the original book. But they can be reproached for the casting of the child actors. The children are absolutely unbearable, and some of them (or all?) you truly want to kill. The whole thing looks like perfectly standard consumerist and harmless family-friendly (in the bad sense of the term) Hallmark entertainment.
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After Renata Fučíková's illustrations and the BBC adaptation of the first four books, I got a Narnia I’d never even hoped for. I saw it on the big screen 4 times, countless times on DVD, and it was revived regularly and never forgotten. I'm happy and crossing my fingers that all seven adaptations will finally be made. Maybe on Netflix, and hopefully for the fifth time, a complete set.
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I can't help but feel that the first installment never really impressed me. The only things I really appreciate about it are the special effects, both the classic ones and the digital ones. They simply look great. But the story didn't grab me, nor did the characters, except maybe Aslan. I'm surprised the series is still going and more installments are expected.
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If I were a little kid, I'd probably be in seventh heaven from all those talking beavers, wolves, centaurs, eagles and other creatures, but as an adult, I was presented with something that was almost unbearable, especially in the second half. At the beginning, when the kids are getting acquainted with Narnia, it's a pretty brisk show, with beautiful winter scenery and sets that Weta did a really good job of producing. But from the encounter with Aslan in the second half comes the unbearable ubiquitous pathos, with fervent glances and profound proclamations, all meant to be deadly serious and without an ounce of levity, as if there was no place for humour in a story with Christian symbolism, which is not as readable for young children and may be completely irrelevant to them. A deeply religious man, Lewis projected the person of Jesus into his book through Aslan, with his sacrifice and resurrection, which he did for an unnamed Christian ecumenical nonprofit publisher whose enthusiastic promotional flyer for the film I got my hands on. It may be the film's essential centerpiece, but the average viewer sees it differently and is more interested in the fact that the CGI characters are legibly digital and have unnaturally jerky movements, and the level of the visual effects in general varies considerably, something surprising for a film with such a budget. The film is presented in such an uninteresting way, I'm sorry, but I don't see it as more than 2*.
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