Closer

A soap opera for discerning viewers. Provocative, impudent, sleazy, artfully filmed (with respect to the possibilities of the interior sets) and, mainly, fantastically acted. Love, deceit, intrigue, revenge. But there is a little too much of that in the last third – a bit of detached humor would have helped. (2005-03-23)

For a Hollywood film with a mainstream A-list cast, Closer is quite daring in its themes, language and depiction of sexuality. The central quartet of actors do a brilliant job, and Clive Owen in particular thoroughly enjoys his part and gives an excellent performance. I was a little put off by the fact that, with its running time and looping plot, the film, particularly in the second half, feels slightly repetitive and the jumps in time are often quite brutal. A well done dramatic chore, but I could imagine it being even more polished. [KVIFF 2024] (2024-07-07)

Sexually open, but not explicit (on a verbal level only). The acting quartet is impressive, the individual actors remarkably type-matched to their characters, and the overall performance comes across as a little over-the-top in places, but impressive theatrically. Some of the dialogue is very peppy, but there’s a good deal of justification in its bluntness and crudeness if you can identify with the individual characters and empathize with their feelings, at least for a moment. A cruel, cynical, and very enlightening drama with excellent directing and outstanding performances. My first Mike Nichols. (2011-09-28)

A quite pleasantly tangled story that focuses on one of the still burning topics - sexuality. What do we actually want and what do we dare to demand? Are our desires accessible to others? Can we share them without people looking at us weirdly? Do we still understand what love really is and can we fall in love? "Closer" is a film about four people whose lives interconnect. Sometimes too much, sometimes only briefly, but the consequences can be more serious. Two Americans and two Englishmen. Their lives come together and then separate again. Who is actually dating whom? And who is sleeping with whom? After a while, one starts to feel that they start to combine with each other regardless of gender. Julia Roberts is a photographer who doesn't know whom she really wants. Jude Law is a young and promising writer who doesn't know whom he really wants. Clive Owen is a doctor who knows what he wants and also gets it. He describes himself as a primitive. And he actually is a little bit. And finally, Natalie Portman. What is she actually? Just a woman who loves? Or is there more to her? What is she hiding from? Her boyfriend? Or from the man who became her customer for one night at a strip club? Relationships between people are very complicated, but only because we complicate them ourselves. We demand certain values that are completely senseless, while we ourselves behave completely differently. Can we still be happy? Or do we just live a life that goes from birth to death without finding true happiness? This film, although it may not seem so, is actually quite disturbing. It doesn't deal with the apocalypse of the world, but with the apocalypse of mankind. More: http://www.filmovy-denik.cz/2012/10/ztraceno-v-prekladu-4-bratri-na-dotek.html (2013-03-01)

(KVIFF 2024) Closer is intimate romantic drama, artfully written and with believable performances, centered around a love quadrangle and somewhat volatile 'climaxes'. All four actors do their roles to perfection, with Clive Owen nailing it the most. I was a little distracted by the time jumps at first, but you notice this almost immediately. Closer is very sensual film, without any explicit sex scenes – there’s ample use of spicy dialogue (and chats). One of the good things is that you basically have no idea until the very end how geometrical a constellation the whole story will reach. (2024-07-05)