Directed by:
Quentin TarantinoScreenplay:
Quentin TarantinoCinematography:
Robert RichardsonComposer:
Robert RodriguezCast:
Uma Thurman, David Carradine, Michael Madsen, Daryl Hannah, Chia-Hui Liu, Lucy Liu, Vivica A. Fox, Michael Parks, Bo Svenson, Jeannie Epper, Samuel L. Jackson (more)VOD (1)
Plots(1)
Having already crossed two names from her Death List, the Bride resumes her quest for justice, taking aim at Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill The Bride's former master and the man who ordered her execution. (Miramax Films)
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Reviews (11)
I rate both parts of Kill Bill highly. They are a pure pleasure for me, as they fully satisfy my cravings as a movie fan. However, I don’t like the fact that the saga as a whole is divided into two films. That’s partly because there is a spoiler at the end of the first one solely for commercial reasons, which kills the main point of the entire 200-minute saga. And also because the individual parts are stylistically incongruous. After watching the first one, I wanted the second one to have the same brisk pace and eccentric style. And when watching the second one, I longed to experience the events of the first one in the same crystal-clear Tarantino form (slower pace, intense dialogue) that the second one has.
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What I liked about Kill Bill is partially subdued in the second part. The first film was mainly about action, which was absolutely captivating, but I loved the movie primarily for its delightful B-movie charm, which was perfected with great visuals, and the characters and their dialogues. Tarantino shifted away from action and brought characters and dialogue to the forefront, which resulted in a different but not worse second film, rather even better in some respects. He elevated action battles to an art form. Listening to the dialogues is truly delightful because they remain engaging even during relatively calm passages. The conversation with Bill and its outcome is an absolutely captivating scene and the pinnacle of David Carradine's career. Tarantino can do that. Just as he can make films that are hard to forget.
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It’s amazing how this revenge feels different all of a sudden; more physical, more human, more patient. I believe Volume 1 and 2 would probably work better as one opulent three-hour movie, because I still don’t quite get the point of dividing it into two such formally different parts, but the second one is closer to the screenwriting exhibition of an adored dude able to turn a simple premise into an unpredictable but also somewhat bizarre and deeply human story. If I called the first one porn for geeks, this one would be geek for porn. Quentin takes traditions from western, kung-fu and revenge movies and other well-known narrative tropes and enriches them with his inimitable moment of surprise, which here is absolutely sudden and shocking, foreshadowed in very carefully built dialogues. This time he lets the heroine suffer without putting her against fighting machines, but against people who are probably blaming their past. It’s a pity that Tarantino doesn’t work with human emotions very well – one of the key twists is revealed at the end of the first volume, which weakens the brilliant game with the surprise, and the dialogues with Bill, one of the most interesting characters, are written mostly for the viewers and not for an inner climax. Volume 2 is better than Volume 1 for its more thoughtful arrangement of the episodes and how it works with the characters, whose fates are beautifully intertwined, without needing to remember the first part, but it’s still too deep into its own self-awareness to make you fall on your ass and shed a tear when the closing credits start rolling. 85%
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While the first movie was just a showcase of Tarantino the director, this time the story gets a word in. Uma no longer has to strut her kung fu stuff, so she no longer looks like a paddle come to life and, most importantly, Quentin has moved closer to Sergio Leone. Which greatly benefits the movie (and Tarantino). A massive benefit! ♫ OST score: 4/5
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Quentin Tarantino is very original and his directing is apparent every single second, whether it's the craftsmanship (black and white passages, animated parts, etc.) or the content. More than bloody killings, he focuses on what makes a film a film (dialogues, characters, etc.) and he does it well. Uma Thurman is excellent, David Carradine is a superb villain, and it's all very stylish.
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