Directed by:
Robin HardyScreenplay:
Anthony ShafferCinematography:
Harry WaxmanComposer:
Paul GiovanniCast:
Edward Woodward, Christopher Lee, Diane Cilento, Britt Ekland, Ingrid Pitt, Robin Hardy, Aubrey Morris, Roy Boyd, John Hallam, Paul Giovanni, Gerry Cowper (more)VOD (1)
Plots(1)
Off the coast of Scotland, the natives of a small island owned and run by a Lord Summerisle, immerse themselves in a religion based on pagan rites and rituals, totally antithetical to Catholic dogma. When a devout Christian police sergeant from the mainland comes to the island to investigate the mysterious disappearance of a local 12-year-old girl, he stirs up hatred and resentment among the locals to such an extent that for their annual May Day celebrations, to insure the crops don't fail for a second year in a row, he becomes their target to appease the heathen goddess of the harvest. (official distributor synopsis)
(more)Videos (1)
Reviews (10)
This very unconventional detective story (mistakenly called a horror) is based mainly on the strange mysterious atmosphere of a small British island ruled by pagan customs instead of Christianity. The confrontation between the bigoted policeman and the local natives, who acknowledge an ancient deity, escalates into an exquisite ending, where it is up to each viewer to decide whether they prefer the human sacrifice to the goddess of the earth or the words "The Lord is my shepherd." Edward Woodward excels in the lead role of the strongly religious detective, and like Christopher Lee opposite him, his charisma is evident in every frame. The powerful experience is further enhanced by the strange folk music and dance rituals, which surprisingly do not disturb (and yet this is no musical), but simply belong to the film like everything else. The last ritual gives unpleasant chills.
()
A small cinematic delicacy that was completely overlooked at the time of its release and was not discovered and praised by film critics until much later. The story of a policeman who travels to an island near England in search of a missing girl and is confronted with the pagan customs of the local folk engulfs the viewer with a unique atmosphere and impressive music. It plays a really big role here and the whole film is interspersed with musical and dance interludes that do not slow down the plot, but on the contrary add to its impact. Genre-wise, the film is classified as horror (some critics even call it the Citizen Kane of horror films), but it feels more like a detective story and the horror classification is fulfilled only by the slightly shocking ending, which puts it in the same line as Shyamalan's films in terms of surprise. We can only regret that the director was not very diligent creatively in later years.
()
Horror productions often resemble a merry-go-round, where a successful film is usually the starting point for a whole series of inferior sequels and the genre actually recycles a few successful models. The Wicker Man stands out from the genre's compartments and plays with its viewers, just like it does with its protagonist. Policeman Howie comes to the island to solve the disappearance of a local girl, but from the very beginning, he faces strange reactions from the local population. Common conventions, rules, and laws recognized on the mainland do not apply in this place. A sinister premonition turns into certainty that a terrible crime is imminent, and that turns into a determination to save the victim's endangered life at all costs. The film uses motifs from the horror and thriller genres, but it disregards their traditional props and, in the end, it is closer to a very dark comedy. It overturns traditional Christian morality (from which the gothic novel emerges as a predecessor of modern horror), ridicules it, and gradually leads its principled protagonist into a fateful trap. The Wicker Man is not particularly profound or complicated, but it is surprisingly functional and above all entertaining. Overall impression: 75%.
()
Colorful fictional folklore, a bit of hippie poetics of apple growing and casual sex, a bit of dull detective story kicked off with the final twist. Yes, its atmosphere cannot be denied, it can be resonating like Christopher Lee's tone color - especially in an epic ending. But the filmmaking is really mediocre, full of naivety and, in the extended version, quite disturbing visual excesses. In short, the film didn't entice me nearly as well as like-minded crazy films (which I consider to be my heart's capital) would have. Feel free to burn me to death - great idea, slightly above-average movie.
()
A remote Scottish island with dramatic rock formations and windswept vegetation... The atmosphere of the location and the depiction of the cult mentality of its inhabitants make this a unique film, for a near B-movie debut of a director who then gave up on filmmaking. The equivocation of everyone present, the seductive sexual undertone, the helplessness of the main character of the police sergeant whom no one respects, and the almost spectacular sophistication of the people’s strange beliefs and their origins make The Wicker Man an absorbing, plot-driven flick.
()
Gallery (45)
Photo © National General Pictures
![The Wicker Man - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/277/159277990_1c4022.jpg)
Ads