Directed by:
Alex ProyasCinematography:
Dariusz WolskiComposer:
Graeme RevellCast:
Brandon Lee, Ernie Hudson, Michael Wincott, David Patrick Kelly, Bai Ling, Rochelle Davis, Sofia Shinas, Michael Massee, Bill Raymond, Marco Rodríguez (more)VOD (1)
Plots(1)
Eric Draven (Brandon Lee), a young rock guitarist who, along with his fiancee, is brutally killed by a ruthless gang of criminals. Exactly one year after his death, Eric returns -- watched over by a hypnotic crow -- to seek revenge, battling the evil crime lord and his band of urban thugs, who must answer for their crimes. (Miramax Films)
(more)Videos (1)
Reviews (9)
I like films with a dark atmosphere. The Crow has plenty of it and it is as seductively dark and gloomy as the comic book itself. Brandon is brilliant (what a great loss) and Wincott is a villain as it should be. Together with X-Men the best comic-book adaptation so far. ()
Visually more than perfect, with excellent action scenes, music also very good. Alex Proyas has turned The Crow into a visual/filmmaking gem that is really worth seeing. The exquisitely crafted final confrontation in the church only adds to the overall impression, which is clearly five stars. Even if it was just for the incredible visual banquet! ()
Alex Proyas proved that a good comic book adaptation can be made without elaborate character psychology or bombastic digital effects. The straightforward plot about posthumous revenge, presented on a simple formal level, delights in its play of lights and shadows, night darkness, and persistent rain. It takes a backseat, which doesn't really matter, and the only way to win over the viewer's favor remains the atmosphere. In addition to the aforementioned, the expertly directed camera work by Dariusz Wolski and the minimal yet rhythmic and captivating musical accompaniment by Graeme Revell contributed significantly. As a whole, it feels rather depressing without even realizing the tragic circumstances of the filming ()
Brandon Lee, with guitar in hand, kitsch to the maximum, and nostalgia even beyond that. Though the film as a whole never escapes the darkness, either visually or emotionally, the promise of a future from The Crow ultimately shined again. Love is, after all, the greatest thing in the world – and besides, it can't rain forever. ()
I would like to point out that I usually have no problems with the display of violence, but The Crow is one of those rare cases that go beyond that. It's not so much about the violence itself, but rather about the way the director handles it and how he uses it. The Crow is an instinctive film built on evoking simple emotions and powerful aggressive images. It is an exaggerated and exemplary schematic journey for revenge, where it is perhaps unsettling how easily it leads the viewer right to where it wants them. I do not like this film. Its cheap symbolism infuriates me, there's the fact that it is not ashamed to be stupid, and perhaps what bothers me most is that it works for the audience. Sophistication, multilayeredness, and playfulness will not be found in The Crow. However, it does not deserve to be discarded, as Alex Proyas has mastered his craft well and he was able to capitalize on his experience in shooting commercials and music videos. Overall impression: 25%. ()
Gallery (83)
Photo © Buena Vista International
Ads