Directed by:
Christopher NolanCinematography:
Wally PfisterComposer:
David JulyanCast:
Christian Bale, Hugh Jackman, Michael Caine, Piper Perabo, Rebecca Hall, Scarlett Johansson, David Bowie, Andy Serkis, Daniel Davis, Christopher Neame (more)Plots(1)
Two young, passionate magicians, Robert Angier (Jackman), a charismatic showman, and Alfred Borden (Bale), a gifted illusionist, are friends and partners until one fateful night when their biggest trick goes terribly wrong. Now the bitterest of enemies, they will stop at nothing to learn each other's secrets. As their rivalry escalates into a total obsession full of deceit and sabotage, they risk everything to become the greatest magician of all time. But nothing is as it seems, so watch closely. (official distributor synopsis)
(more)Videos (3)
Reviews (10)
Another tangled exhibition by Christopher Nolan, much more comprehensible than Memento and much more entertaining and original than the boring Insomnia. However, I need to ask an important question. What was it actually about? Nothing. This film is just like the tricks performed by the magicians, it has absolutely no storytelling value at its core and offers a sweet illusion that will appeal to many viewers. It is strong in terms of acting, brilliant in terms of costumes, but bloated in terms of plot and internally empty. Nevertheless, this entire trick is presented with such drive and audacity that it cannot be rejected in the end.
()
Christopher Nolan didn't win me over as a great director with his Batman films (which were really great), but he did win me over with his perfect and well thought out masterpieces Inception and The Prestige. The film has an incredibly well thought out plot and very well done time shifts that you don’t get lost. And the director loves ambiguous endings, he's a real genius at that. The Prestige is great in every way. It has a strong premise (which is a bit like The Illusionist, but at the same time completely different), it doesn't lack action, romance and mystery, and it blew me away as a viewer - what more could I ask for? In short, I don't know what or how to write to lift the film to the heights ... so I simply applaud.
()
Christopher Nolan is slowly but surely becoming one of my favourite directors. The Prestige is sharing with Memento the position of his best film (at least for me). I like his more intimate thrillers a bit more than Batman. The actors are superb, with a Christian Bale a lot more convincing than in Batman Begins and The Dark Night. The script is awesome, packed with minor turns and impressive situations and scenes, and by the end it delivers an unexpected twist that, although not as brilliant as Memento’s, makes everything fall into place and make perfect sense. I hope Nolan will take a break from Batman so we can get again something smaller.
()
"Because making something disappear isn't enough; you have to bring it back." Obsession with anything can lead anyone to ruin, but what if the inevitable and dark outcome of your efforts is neither death nor salvation? I don't like self-serving twists, I don't like reveals sucked out of the fingers, and I especially don't like the feeling when the creators try to cheaply outsmart me. But what if someone presents a few exhausting twists that don't tire you out and instead leave you wanting more? Now I understand why it took Christopher and Jonathan Nolan so long to develop this screenplay, because thinking through the story (even when it's based on a novel) to all its consequences must have taken a lot of effort. And observing the eternal feud between Borden and Angier is the pinnacle of viewer delight. I thank the creators that the perfect line "Are you watching closely?" is not an audiovisual question, but rather a thoughtful one. If it only depended on discovering a few images, the trick couldn't work a second time, but this way everything truly depends only on the storytellers. The viewer then remains helpless, like a prisoner locked in a water tank.
()
Christopher Nolan is one of the cult directors of our time, so I was curious about his latest known film from his filmography, which I had not seen until now. Movie fans usually prefer his Batman comic adaptations, but those fall into the realm of mass popular culture and have such a silly foundation in their comic source that not even Nolan can turn them into a top-notch film masterpiece despite the generous budget and all the effort. I prefer the aspect of his work represented, for example, by Following, but that is not a viewer-friendly film and is more appreciated by a minority of film fans. In my eyes, The Prestige is a truly perfect combination of the professionalism of a large American studio with a generous budget and providing a generous cast and the creativity of a talented film creator who is capable, in this case, of presenting the audience with a film with a certain depth. The Prestige meets all my requirements for a good film - a visually interesting spectacle, a strong story, charismatic characters, an ambiguous script that enhances the story with a series of twists, and a thought-provoking world. Of course, some concessions to the audience could be pointed out here as well, but that's just how it goes in cinema, and in its category, The Prestige is a truly very above-average film. This film has a story that seems to have come from the pen of Jules Verne on the edge between the science fiction and mystery genres. It deals with the ruthless rivalry of two illusionists that goes beyond their profession to the extent that it destroys their closest surroundings and devours them. In the background of their conflict, we also see the no less forceful rivalry of two prominent scientists of the time - Nikola Tesla and Edison. We are in the 19th century with its boundless belief in scientific progress, and the culmination of the film also brings a warning against the misuse of scientific discovery for the satisfaction of one's egotistical cravings and even for crime. In addition, The Prestige also has excellent craftsmanship in the form of a dark atmosphere, finely pointed scenes, quality music, and attractive camera work. For me, a truly enjoyable experience that I appreciate with a 100% overall impression.
()
Ads