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Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague - The Infected - lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. (Warner Bros. US)

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Reviews (13)

3DD!3 

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English Right after setting my noise interference device to channel 4, I was engulfed in the great atmosphere of an empty New York. The scenery is really impressive and the silence, the silence (even above my noise interferer, the sound of crunching potato chips and giggling) is chilling. Frances Lawrence really approached this from the right direction. Will Smith acts very convincingly, despite the role not being... let’s say, right for him. Especially in the second half he shows that he is able to be serious too. As for the “vampires" or, if you will, the light-shy, I’m convinced that people in makeup could never look so vacant and inhuman. I certainly understand Lawrence’s idea to do them digitally, because like this they really terrified me. Even though I admit that they were far from perfect. But what prevents me from giving it five stars is the fact that the screenplay begins (especially toward the end) to behave too “American" and changes from before unseen into a clichéd genre with an inevitable ending. This might have worked before, but today at least I am unimpressed. Can’t a movie just end normally? And they should have translated the title in Czech properly. I’m adamant about that. ()

novoten 

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English Francis Lawrence confirms his reputation as a versatile director, but unlike with Constantine, his higher budget also meant a noticeably lower quality screenplay. Mainly because of it, the excellent action and grand yet suffocating atmosphere are somewhat wasted. Some compromise is missing here at least. The line between drama and sci-fi spectacle is very winding here, confusing the viewer with transitions from bombastic yet "only" personal scenes to occasionally intimately portrayed fights. The biggest betrayal of the story is ultimately the whole theme. It mixes 28 Days Later, The Day of the Triffids, Planet of the Apes, and other battles of individuals against a mass of enemies, but the trailer promised much more than that. A satisfying conclusion and some ideological depth were sought in vain here. ()

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gudaulin 

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English I'm going to be brutally honest. I Am Legend is a stupidly written and routinely filmed B-movie that has nothing to offer besides decent post-apocalyptic visuals. I don't know anything more cliché than the motif of a destructive virus that turns humanity into an army of bloodthirsty mutated zombies - and here, diplomatically speaking, it is handled unoriginally. Nothing is clever in this film. Will Smith doesn't even manage the minimum of psychological acting that is required of him, and it is better not to contemplate the existence of the depicted world and the behavior of the hero of the story. The idyllic community of survivors with a pristine white church in the middle felt more like a raised middle finger to me. The film is an easily forgettable endeavor only worthy of being broadcast on late-night TV. Overall impression: 25%. ()

POMO 

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English I would have expected Akiva Goldsman to choose deeper material for his screenplay. On the other hand, he’s also the executive producer, who knows very well that to get a successful blockbuster, it is enough to develop a good premise into a superficial story, provide it with cool set designs and put Will Smith’s face on the posters. I Am Legend is the perfect commercial product. But if you want to see its premise reach its full potential, watch instead the tense and chilling 30 Days of Night, followed by the intelligent and technically advanced Children of Men. ()

J*A*S*M 

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English The first half is excellent, with a very good portrayal of a depopulated New York, Will Smith is brilliant and we don’t get to see much of the infected. But in the second half, when they start showing up more often and in their full glory, the quality declines because their CGI look is really not good. Also, the screenwriter deserves to be punched in the face for that ending. The rating is between 3 and 4 stars. ()

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