Directed by:
Ben AffleckCinematography:
John TollComposer:
Harry Gregson-WilliamsCast:
Casey Affleck, Michelle Monaghan, Morgan Freeman, Ed Harris, John Ashton, Amy Ryan, Amy Madigan, Titus Welliver, Michael Kenneth Williams, Edi Gathegi (more)VOD (1)
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Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River". It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. (official distributor synopsis)
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Reviews (12)
A powerful drama, very well written, but above all brilliantly directed. I’m inclined to agree with the opinion about the intellectual overtones mentioned several times here, the dilemma that is transferred from the main character to the viewer at the end is impressive and the last shot, my God, is perfection itself. And most importantly, the whole narrative has oomph and it doesn't matter if it's the chillingly harsh scene with a paedophile in the second half of the film or a simple dialogue between the two protagonists. A true joy to watch. And Casey Affleck? He articulates weird, he looks weird, he acts weird, but all of that together create a very interesting person that I couldn't take my eyes off. Ben, in the future, act as you did in Hollywoodland, while continuing to develop your undoubted directorial talent, and I have no choice but to repeat myself: "It was a great pleasure."
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A disturbing, intelligent thriller with a provocative theme and an even more provocative climax, which pits law and justice against each other, i.e., the criminal code and morality. It even explores the boundaries of ethical behavior by relativizing the concepts of good and evil. Its characters are not black and white and are also exposed to extreme situations that require truly fundamental and difficult decisions. The clever script has several significant twists in the perspective of the characters and their actions, and the film can be watched not only as a brilliant detective story but also as an excellent psychological drama. Moreover, the film is brilliantly cast and professionally directed and acted. I have absolutely no problem giving it five stars. Overall impression: 95%.
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A quality film for one evening. It's not an Oscar-worthy masterpiece, nor a film that you could watch twenty times and still discover something new, it's ordinary, austere, technically simple, and quite effective in certain moments. But the storyline isn't that elaborate, and many things can be guessed from the course of the film. Above all, Ed Harris is outstanding. The ending didn't deliver the catharsis I expected, but it has a logical culmination. Ben Affleck is definitely better behind the camera than in front of it, and I think that has surprised many film fans, especially since it's his directorial debut.
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Bad Baby Bad. Disappointing in every way! The story is confusing and disjointed. Ben Affleck directs as much as he acts: like a teenager with attention deficit disorder. The characters were uninteresting, unmotivated and poorly cast. The dialogue lacked drive, it was clichéd and incomprehensible. Overall, I found this film very boring to the point of absurdity. It lacked suspense and atmosphere. There was almost nothing positive here! Affleck has picked up the wrong profession. I didn't enjoy it. 40%.
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Affleck’s adaptation of Dennis Lehane’s novel is unarguably well-made, perfectly acted, absorbing with its atmosphere of an Irish suburb of Boston and especially in the night scenes it’s completely riveting. Casey Affleck in the role of the “neighborly" private detective is worthy of the supreme acting accolade, just like many of the supporting actors. Seemingly the perfect crime movie. However, there is one small but. After the scene with the attack on the house and one subsequent conversation, it is absolutely clear “who, how and why". However, a long-winded half hour of wannabe surprising revelations follow. Not that it matters that much, since the picture culminates in these scenes in terms of acting, but as a whole it needlessly loses energy. At least the complete end with the repercussions of a certain decision is again back to the standard of most of the movie. In other words, at the qualitative zenith of the genre. After his feature-length directing debut, I’ll have to keep an eye out for Ben Affleck. With his economical and firm-handed directing that doesn’t draw attention to itself, he is very similar to Clint Eastwood. Let’s hope it stays with him and that he will no longer prance around in front of the camera. Both for his and mainly for our own good.
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Gallery (33)
Photo © Miramax Films
![Gone, Baby, Gone - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/162/200/162200741_9d65aa.jpg)
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