Directed by:
Joe JohnstonCinematography:
Shelly JohnsonComposer:
Alan SilvestriCast:
Chris Evans, Hugo Weaving, Tommy Lee Jones, Hayley Atwell, Stanley Tucci, Sebastian Stan, Dominic Cooper, Neal McDonough, Toby Jones, Anatole Taubman (more)Plots(1)
In 1942, Steve Rogers (Chris Evans) is deemed physically unfit to enlist in the U.S. Army and fight the Nazis in World War II. Volunteering instead for Project: Rebirth, a secret military operation, he is physically transformed into a super-soldier dubbed Captain America. With sidekick Bucky Barnes (Sebastian Stan), he fights the Red Skull (Hugo Weaving), Hitler's treacherous head of advanced weaponry, whose own plan for world domination involves a seemingly magical object known as the Tesseract. (official distributor synopsis)
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Reviews (15)
Fun, full of exaggeration and featuring the excellent Tommy Lee Jones, but also straightforward and with disgusting Czech dubbing to boot. It also works mainly as a mere performance of the Captain, necessary for the Avengers, so the start in the first half is quite lengthy. The film feels a bit like a prologue. The excess of German weapons and equipment is immense. But it was worth waiting for The Avengers teaser.
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I think I'm going to hide in Asian cinema for a while after this crap. I don't know why America is trying to mix the impossible lately. Suddenly the cinemas are full of sci-fi westerns and war fantasy action flicks. I'm turned off by the red monster that disrupted the rather excellent retro atmosphere (kudos to Hayley Atwell's make up). The tiny and determined kid becomes a super-powered idol rolling out one badass line after another. But was the invincible and mostly cheesy shield really necessary? 2.5 stars.
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He was the last one to the table, but when things get worse, you can be sure he'll be standing in the front lines. Steve Rogers stayed somewhat on the sidelines throughout the Avengers journey, but in the end, to my great surprise, he ends up being the one who got under my skin the most. His loyalty, bravery, and naivety in the most positive sense, combined with his style of fighting, are simply unrivaled. When the dark Red Skull or the self-sufficient Agent Carter join the party, there is nothing left to do but applaud. Marvel won this war, and I gained a hero I had thus far only seen on T-shirts for almost a decade since his origin story.
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I have a soft spot for Joe Johnston's films. Why? Watch Jumanji, Hidalgo and Jurassic Park 3 and you might understand... The guy's filming because he enjoys it. He has no problem mixing action, special effects scenes of all kinds and humor, which is his greatest strength. So three cheers for him directing Captain America. I can't imagine another director (except perhaps Spielberg or Sommers) who could make such a ridiculous hero so "believable" in the real world. All in all, this comic book movie has it all: A wonderful retro atmosphere in the style of Sky Captain and the World of Tomorrow, likeable characters (big ones, with Chris Evans in the lead, and small ones, like the members of the Captain's team), ultra-evil villains, a really top-notch soundtrack by Alan Silvestri, action scenes like from a boy's dream (what does a soldier do when he runs out of bullets in an ordinary rifle? He grabs the nearest dead Kraut's ray gun, fires it away, and then takes it with him!), an admittedly forgettable love plot, but with a non-forgettable badass woman, good, eye-popping digital special effects, like in the fourth Indiana Jones, and thoughtful continuity with other Marvel movies (the big space given to Stark Sr. was a delight). In the closing credits you will not only see the Czech flag - you'll even see Jack Nicholson in there (I insist it's him)!
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It's exactly as stupid as the trailers seem to indicate, BUT the film knows it and is able to make fun of itself with good timing and not take itself deadly seriously (especially the propaganda passage in which the Captain sells bonds is yummy). The problem is, alongside the self-irony, Johnston's film doesn't offer much. Indeed, it is a hearty return to the 1990s, when the comic book hero was 100% form and no content. And unfortunately, there's a piece missing of the directing heart that Brannagh used to save his colleague Thor. Johnston is able to do a solid trick show, he artfully evokes a retro atmosphere (the semi-forgotten World of Tomorrow came to mind), the actors are apt, and Tommy Lee Jones has great catchphrases. It’s no wonder that time passes, the smile rarely grows into a scowl, and the Captain fulfills his mission to tap it into the timeline of the other Avengers. My impressions are stuck somewhere in the neutral zone - no disappointment, no bang, just a solidly treated product that just confirms my impression that The Avengers won’t be good, certainly not with such a crazy scattering of style and mood. P.S. the dubbing was terrible. I suspect that three high teenagers dubbed the whole thing.
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