Directed by:
Joe JohnstonCinematography:
Shelly JohnsonComposer:
Alan SilvestriCast:
Chris Evans, Hugo Weaving, Tommy Lee Jones, Hayley Atwell, Stanley Tucci, Sebastian Stan, Dominic Cooper, Neal McDonough, Toby Jones, Anatole Taubman (more)Plots(1)
In 1942, Steve Rogers (Chris Evans) is deemed physically unfit to enlist in the U.S. Army and fight the Nazis in World War II. Volunteering instead for Project: Rebirth, a secret military operation, he is physically transformed into a super-soldier dubbed Captain America. With sidekick Bucky Barnes (Sebastian Stan), he fights the Red Skull (Hugo Weaving), Hitler's treacherous head of advanced weaponry, whose own plan for world domination involves a seemingly magical object known as the Tesseract. (official distributor synopsis)
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Reviews (15)
Fun, full of exaggeration and featuring the excellent Tommy Lee Jones, but also straightforward and with disgusting Czech dubbing to boot. It also works mainly as a mere performance of the Captain, necessary for the Avengers, so the start in the first half is quite lengthy. The film feels a bit like a prologue. The excess of German weapons and equipment is immense. But it was worth waiting for The Avengers teaser.
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It's exactly as stupid as the trailers seem to indicate, BUT the film knows it and is able to make fun of itself with good timing and not take itself deadly seriously (especially the propaganda passage in which the Captain sells bonds is yummy). The problem is, alongside the self-irony, Johnston's film doesn't offer much. Indeed, it is a hearty return to the 1990s, when the comic book hero was 100% form and no content. And unfortunately, there's a piece missing of the directing heart that Brannagh used to save his colleague Thor. Johnston is able to do a solid trick show, he artfully evokes a retro atmosphere (the semi-forgotten World of Tomorrow came to mind), the actors are apt, and Tommy Lee Jones has great catchphrases. It’s no wonder that time passes, the smile rarely grows into a scowl, and the Captain fulfills his mission to tap it into the timeline of the other Avengers. My impressions are stuck somewhere in the neutral zone - no disappointment, no bang, just a solidly treated product that just confirms my impression that The Avengers won’t be good, certainly not with such a crazy scattering of style and mood. P.S. the dubbing was terrible. I suspect that three high teenagers dubbed the whole thing.
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I have a soft spot for Joe Johnston's films. Why? Watch Jumanji, Hidalgo and Jurassic Park 3 and you might understand... The guy's filming because he enjoys it. He has no problem mixing action, special effects scenes of all kinds and humor, which is his greatest strength. So three cheers for him directing Captain America. I can't imagine another director (except perhaps Spielberg or Sommers) who could make such a ridiculous hero so "believable" in the real world. All in all, this comic book movie has it all: A wonderful retro atmosphere in the style of Sky Captain and the World of Tomorrow, likeable characters (big ones, with Chris Evans in the lead, and small ones, like the members of the Captain's team), ultra-evil villains, a really top-notch soundtrack by Alan Silvestri, action scenes like from a boy's dream (what does a soldier do when he runs out of bullets in an ordinary rifle? He grabs the nearest dead Kraut's ray gun, fires it away, and then takes it with him!), an admittedly forgettable love plot, but with a non-forgettable badass woman, good, eye-popping digital special effects, like in the fourth Indiana Jones, and thoughtful continuity with other Marvel movies (the big space given to Stark Sr. was a delight). In the closing credits you will not only see the Czech flag - you'll even see Jack Nicholson in there (I insist it's him)!
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It’s almost impossible to evaluate it objectively. It’s a film full of excellent lines, details, camera sweeps, several dialogue scenes, and a beautiful chemistry between the main characters. It’s slightly naive, and gradually turns into self-parody, but I couldn't help but feel a certain fragmentary and inconsistent mix of styles. Sometimes the it doesn't know what it wants to be, so it throws in everything just to be sure. A bit like combining Tomorrowland and Indiana Jones. I didn't enjoy the action and the visual effects were average, except for a few exceptions – I expected much more in this regard. Visually, the trailer was much more captivating, which is quite amusing in hindsight. But it's not all bad. Hayley Atwell is a first-class babe who will make a career out of this role, and the final scenes with the bomber are visually stunning - I haven't seen such mix colours in a long time.
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I’ve been a big fan of this project from the very start, so you can always take one star off, if you like, but just I can’t help myself. The Cap’n is exactly how I wanted him to be. Maybe it’s a little short, on the other hand it doesn’t lose any tempo anywhere. The intro with the puny young Steve is just great. Watching his futile attempts at joining the army and the training is even more entertaining that the elimination of Schmidt’s bases (the fantastic Hugo Weaving) thanks to the balanced doses of humor and selfless courage. Chris Evans did an excellent job with his portrayal of Rogers. Thanks to him, Captain America shakes off the image of parroting clown and turns into a convincing hero. But Peggy Hayley Atwell is equally important. Thanks to her, the romantic storyline is the strongest element of the movie. Neither the action, nor inventions, nor the demonic psychopath with the red face, but the sad ending dialog is what will get to you. I had a date. The lead-up to the Avengers is very obvious in this movie and it basically touches on all of the other worlds we have seen so far. Fundamental to this is the microworld of Thor and Iron Man, the Hulk is a side-effect from development of the serum. This excellent lead-up is topped off by the post-credits scene/trailer.
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