Directed by:
James CameronScreenplay:
James CameronCinematography:
Mauro FioreComposer:
James HornerCast:
Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, Giovanni Ribisi, Joel David Moore, CCH Pounder, Wes Studi, Laz Alonso, Sigourney Weaver (more)Plots(1)
AVATAR takes us to a spectacular world beyond imagination, where a newcomer from Earth embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. We enter the alien world through the eyes of Jake Sully, a former Marine confined to a wheelchair. But despite his broken body, Jake is still a warrior at heart. He is recruited to travel light years to the human outpost on Pandora, where a corporate consortium is mining a rare mineral that is the key to solving Earth’s energy crisis. Because Pandora’s atmosphere is toxic, they have created the Avatar Program, in which human “drivers” have their consciousness linked to an avatar, a remotely-controlled biological body that can survive in the lethal air. These avatars are genetically engineered hybrids of human DNA mixed with DNA from the natives of Pandora… the Na’vi.
Reborn in his avatar form, Jake can walk again. He is given a mission to infiltrate the Na’vi, who have become a major obstacle to mining the precious ore. But a beautiful Na’vi female, Neytiri, saves Jake’s life, and this changes everything. Jake is taken in by her clan, and learns to become one of them, which involves many tests and adventures. As Jake’s relationship with his reluctant teacher Neytiri deepens, he learns to respect the Na’vi way and finally takes his place among them. Soon he will face the ultimate test as he leads them in an epic battle that will decide the fate of an entire world. (official distributor synopsis)
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Reviews (19)
Avatar is, in a way, like a visit to an amusement park full of tempting experiences that fully engage all the senses. It is a magnificent blockbuster, full of breathtaking action and ostentatiously elaborate visuals. It is a film on the very edge of today's technological possibilities and it shows. Undeniably, it will become the film event of the year and will be included in film history alongside other pop culture legends. It can be talked about in many ways. Firstly, it is an attempt to stop the decline of the traditional film industry, replaced by cheap video production and the internet, and to bring audiences back to movie theaters. Even for the most hardened pirates, who consider data theft a matter of personal honor and get a fit of indignation at the thought of paying for a ticket, downloading Avatar will be a waste of time similar to a desperate attempt to deflower a virgin protected by an iron belt of modesty. Avatar is a spectacle that requires the highest possible quality medium, preferably a large 3D screen with the best sound. Cameron managed to use the 3D format not for cheap effects, but to deepen the image and create true plasticity of the world depicted. In understanding its possibilities and in terms of experience with this format, he is the furthest ahead of everyone and clearly set the direction in which high-budget studio mainstream production will go in the following years. As for the rest, there is no revolution happening. The story is simple, and I am not the first person to notice its similarity to Pocahontas. I don't care that the story is not original; many famous directors in the past made a name for themselves by plundering the titles of their less successful colleagues, and many film fans would be shocked to learn that their favorite films have prototypes in completely unknown films from the past. What's worse for me is that Avatar can be considered a perfectly conventional film, which precisely caters to all audience expectations and naively distorted ideas about a noble, untouched "wild" civilization living in touching harmony with nature. It is a combination of the perspective of an urban environmentalist crossed with Karl May. Cameron does not burden his viewers' brains with anything, and that is understandable. Allegedly, his project cost (not to mention distribution expenses) around four hundred million dollars, and nothing must spoil the expectations of the producers. To criticize Avatar for its calculatedness and lack of creative courage is the same as being indignant that water is wet and fire burns. Both are true and there is nothing you can do about it. I have a problem with exactly what will fascinate many people - the beautifully colored visuals full of sharp contrasts that bring Avatar close to the commercial productions of Walt Disney. It is appealing, fairytale-like, and overly fantastic, exactly what you dreamed of as children. But that is precisely what old Walt always irritated me with. In Cameron's directing style, the characters are flat and fully subordinate to a simple plot line. Overall impression: 55%.
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Real... but incredible too. Cameron delivered all I was expecting and much more. He embellished this simple or fairytale story (a dash of Pocahontas, a dash of Beauty and the Beast etc.) with an incredible amount of ideas and details that take your breath away. Of course, I made sure to watch Avatar at the IMAX and I must say that the movie really was created for 3D with a screen as large as possible. Pandora plucks you like a raspberry (parallel with Jake) and you feel the new world in all its beauty and unknown secrets and you want more and you get more. Each animal is more fascinating than the one you met before and every shot reveals new image after new image that remains ingrained in your memory. Luckily Jim didn’t skimp on technique and so we get the best performance from everybody. Militant and reckless humanity (represented by the great Ribisi) for destruction lovers and on the other end of the scale the naturally sweetened Na’vi race for beauty lovers (all the talk about ecological agitation are wrong, nothing specifically stands out, it all creates a whole where questions of racism etc. are also dealt with). All of this forms into a wonderfully working story and a breathtaking experience. I can’t remember seeing anything as intense (and anything that acts on all levels) for a really long time. I just noticed that I didn’t write about the special effects at all. Maybe because they didn’t seem like effects. They seemed real. When Neytiri cried, I felt with her like with a real person, not like with a nine-foot clown. She looks that real. So it should be said here that the effects are of the highest possible quality (if they are revolutionary or not, you’ll have to ask an expert in the field), personally I was completely gobsmacked, and I’ve seen a lot of movies. Almost all the actors shined, but Sam Worthington really was the best of them all. The nice guy who guides us on this wonderful journey without a doubt deserves great praise. As does Stephen Lang. A proper baddy who reels out one tough line after another. All in all, it was worth the wait. I felt like I was dreaming with my eyes open. I see you...
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In terms of film-craft this is the most precise work that can be achieved under current conditions, but above-average film-craft defining new standards alone doesn’t necessarily make a good movie. Luckily, Avatar is good, but unfortunately no more than just good. It’s like despite all the attention that Cameron devotes to polishing everything down to the last, tiny detail, he forgot about the movie as a whole. Who cares that it suffers from all imaginable maladies of “blockbusters", if only Cameron had managed to enthrall us, draw us in, simply forget that this is still just a movie (it only happened to me in one scene). And the saddest thing about this is that, despite the message, in the end it will be Cameron who causes mass deforestation on out planet due to the mountains of wood needed to produce the paper on which the millions of movie theater tickets sold around the whole world will be printed, and this thought chills me more than any of the best scenes in Avatar. And all of the above applies to the extended version which didn’t concentrate primarily on emotions and characters, but again on technical brilliance. P.S.: This review was written after seeing the regular version; my subsequent visit to see the IMAX version neither improved or impaired my impression of the movie (and why should it, it’s the same movie, isn’t it?), but it did enhance the brilliant effects. ♫ OST score: 3/5
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A great fairy tale adventure for those of us who have been waiting all these months and years for it to come, and a grand spectacle that becomes so huge in the end that human senses cannot absorb everything and a regular director can't control it. And it is right here where it shows that giving so much time to a movie sometimes really pays off, to the last minute and dollar. Although the compassionate ethnic/ecological message did not hit the mark in my case, everything else is part of an opus that has never been seen before. An awe-struck 90% for a movie whose sequel will have no rival on a global scale.
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Avatar is an ultra-mainstream adventure movie for the whole family. In a filmmaking package so perfect it could give you an orgasm, James Cameron self-confidently delivers a super-hackneyed story that won’t surprise you with anything. Apart from his comedies (True Lies), Cameron’s films always contain a hint of existential food for thought alongside all that technical brilliance. But only a hint. They have ideas on which other filmmakers built their movie worlds. Avatar, however, does not contain anything of the sort, and its message begins and ends with a bit of simple ecological agit-prop. It is Cameron’s first film composed solely of things we have seen elsewhere (whether in his films or somewhere else), which he merely delivers in an even more elaborate and beautiful wrapper. Every shot, every cut, every tone of James Horner’s soundtrack contributes to the absolute perfection of the final product. But what good does it do when we always know what happens ten minutes in advance?
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