Directed by:
Saul DibbCinematography:
Gyula PadosComposer:
Rachel PortmanCast:
Keira Knightley, Ralph Fiennes, Charlotte Rampling, Hayley Atwell, Dominic Cooper, John Shrapnel, Aidan McArdle, Alistair Petrie, Georgia King (more)VOD (1)
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Director Saul Dibb takes the helm for this period drama adapted from Amanda Foreman's best-selling novel Georgiana, Duchess of Devonshire, documenting the romantic entanglements of Georgiana Cavendish (Keira Knightley), a beautiful and clever woman who becomes a celebrity of British high society when she marries the Duke of Devonshire (Ralph Fiennes) and becomes consort to one of the most powerful men in England. Beloved for her trend-setting fashion designs as well as her political activism, Georgiana's fire and wit make her a beloved figure everywhere but her own home, where her cold and distant husband's control over her is stifling, soon sending her into the arms of a another man - an act that soon forces her to learn about the brutal difference in the rights afforded to 18th century men and women. (official distributor synopsis)
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Reviews (5)
The Duchess is somewhere in the middle between a serious historical drama about the functioning of aristocratic families in the 18th century and a filmed period gossip about courtship in the highest circles. Even if the filmmaker wanted to strictly adhere to reality and accuracy in depicting the social relationships of the relevant era, they come across a fundamental problem. Such reality and thinking are fundamentally alien to today's viewers, and therefore they do not accept it. We simply tend to judge the world of the past through today's eyes. The creators side with the Duchess portrayed by the charming Keira Knightley, although the moral standards of the time clearly sided with her husband, who behaved according to the customs of the time. Marriages were based on economic, operational, and reproductive reasons. Mixing emotions into it was pure folly. There were others for sexual gratification and emotional bonds. It should be noted that marriage was much more of a company with narrow rules and an unpleasant atmosphere than a cozy affair. Another significant aspect was the absolute absence of sexual education and the requirement of virginity. While maintaining a certain discretion, the wealthy classes had enough opportunities for entertainment, although men were privileged given that they were the providers. If people of that time had the opportunity to see our present, they would be shocked at how casually we approach the institution of marriage, on which the society of that time was built. The Duchess is a costume blockbuster with plenty to see and admire, starting with a very solid production design and the performances of leading European actors. From the comments, it is clear that some would have appreciated Jane Austen's style and a more romantic spirit, but that was simply the era. I personally had more of a problem with the screenplay, which could have been further developed and the characters expanded upon. Overall impression: 65%.
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Poor Georgiana! Living in 18th century England and being the wife of one of the most influential men of the time was no walk in the park. Still producing children (preferably sons), tolerating her husband's amorous adventures, and loving someone she couldn't have almost all her life. Such was the fate of Duchess Georgiana. I really liked the period setting and the production design, the costumes were all absolutely breathtaking (well deserved Oscar). Keira Knightley, whom I don't trust much as an actress, surprised this time and didn't overact much either. Oh, and Ralph Fiennes was convincing as the Duke with a heart (almost entirely) of stone. In short, a film that intoxicated me in many ways as a lover of period costume dramas.
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An ambitious bodice ripper with Keira in bed. Saul Dibb built the atmosphere of eternal "aha!" gossip, social conventions, hidden feelings and boredom so masterfully that he reliably transferred that boredom to me. And even the potentially interesting lesbian scene was cut early on, bummer.
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An amazing costume spectacle with (for a Czech so unfamiliar with every chapter of British history, i.e., for me) a rather strong, dramatic and unpredictably evolving story, great direction, cinematography, music and a sultry atmosphere where gossip awaits at every corner, and above all with great performances. Keira Knightley proves that she was probably born for this type of role, and Ralph Fiennes... I have nothing to add to the cold, dry mastery he displayed.
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The same defect that Shekhar Kapur’s Elizabeth had, a highly artistic and spectacularly elaborate film made by a director who is not an artist, or at least not at such a level to interpret the result and portray what he is trying to do. It is compensated by the flashy costumes and the excellent cast, led by Keira Knightley from the days when all of Hollywood bowed at her feet, a roughly similar position Alicia Vikander enjoys today as a phenomenal talent for the future. Whether that’s enough for a hit, it’s hard to say.
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