Directed by:
Roland EmmerichCinematography:
Karl Walter LindenlaubComposer:
David ArnoldCast:
Will Smith, Jeff Goldblum, Bill Pullman, Mary McDonnell, Judd Hirsch, Mae Whitman, Vivica A. Fox, Margaret Colin, Robert Loggia, James Rebhorn, Randy Quaid (more)Plots(1)
The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determined band of survivors, uniting for one last strike against the invaders - before it's the end of all mankind. (20th Century Fox UK)
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Reviews (10)
"Comrades, ugly enemy agents have landed in our country from outer space in order to plant potato mandelins in our harvesting pools. Comrades, we're not going to subvert the States! Moreover, we have the victorious July, so get them!" Capitalist realism in full force, as demented as Bolshevik agitations, as spectacularly pathetic. Plus, the characters. A good-humored "nigga," a heroic president-pilot, a drunk with the heart of a Don Cossack...an... intrepid cowboy... Just a case of brilliantly making a stinking ball out of a pathetic fart. A film about nothing with nice effects. The glamour and misery of Hollywood in full swing. It wasn't custom made for the White House??? Edit 2011: I have to admit that (like many Bolshevik agitations) I enjoy this film and fills me with a special pleasure of absolute foolishness. So, in hindsight, I'm giving it an extra star, compared to Battle Los Angeles, it's royal fun, and it doesn't deserve the same rating... ()
It was great science fiction for its time, and perhaps not so surprisingly, it's still great science fiction nearly twenty years later. Emmerich has managed to create a great special effects film that perhaps best portrays the fear of being attacked. Yes, it's very American, but that's obvious from the title, isn't it? Some of the moral talk about unifying the world is a bit grating, but it probably wouldn't be possible without pathos. ()
“I steal, you steal, we steal.” Or how Emmerich and Devlin got together, dumped their brain concoctions into a common cauldron, stirred it properly and prepared an inedible slop. I turned off my brain and just wanted to have fun, but even a lobotomy wouldn't have helped. The massive avalanche of clichés and stupidity swept me away in such a way that I wouldn't want to repeat it. ()
Switch off your brain, make a big bucket of popcorn for yourself, turn the volume up (there’s no point in watching it anywhere else but at either a home or a regular theater) and make yourself believe the misleading phrase “it’s a spoof" and, mainly, take it easy. If you manage to persuade yourself that it really is meant as a spoof then it is an excellent B-grade catastrophe movie with a huge budget and well known, but mostly terrible actors (with one exception of Will Smith, brimming with snappy lines) and it’s decently paced. On top of all that it’s too long and overflowing with American pathos to an extent that can be trumped only by Emmerich himself in his subsequent movies. ()
Roland Emmerich bursts the floodgates with pathos. Bill Pullman is completely off with his heroic president, Will Smith is embarrassing, Jeff Goldblum might as well not have been there at all – and this is all just a minor, overrated mishap. This variation on War of the Worlds didn't work out and despite the gripping scene of the destruction of the White House, I have an aversion towards this film. ()
Gallery (178)
Photo © 1996 20th Century Fox
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