Directed by:
Jonathan LevineScreenplay:
Will ReiserCinematography:
Terry StaceyComposer:
Michael GiacchinoCast:
Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard, Anjelica Huston, Serge Houde, Andrew Airlie, Matt Frewer, Philip Baker Hall (more)VOD (1)
Plots(1)
Offbeat comedy about a young man coming to terms with cancer. Joseph Gordon-Levitt stars as Adam, a sweet-natured radio scriptwriter in his late twenties who is diagnosed with a rare form of spinal cancer and given a 50/50 chance of survival. With the help of his girlfriend (Bryce Dallas Howard), his best friend (Seth Rogen), his mother (Angelica Huston), and a trainee therapist at the cancer clinic (Anna Kendrick), Adam begins to discover what really matters in life. (official distributor synopsis)
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Reviews (11)
Finally, a film about very serious matters, presented in an accurate, balanced optic oscillating exactly between serious drama and black-humored dirty comedy, beautifully showing that even a serious illness can be treated in a different way than with tears and a feeling of helplessness. There are no clichéd platitudes or pathetic emotions, this film is dominated by common sense and a lot of brilliantly staged passages of everyday life. Joseph Gordon-Levitt has great talent and a knack for choosing roles, and Seth Rogen does what he knows best, portraying a clumsy, good-hearted, vulgar schmuck.
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Stumbling upon an American film about a serious illness and not being flooded by melodrama is such a remarkable event that it deserves proper recognition. The screenplay was excellent in how it managed to weave a fairly down-to-earth story with a decent dose of humor against the backdrop of drama (sometimes tragedy), allowing me to have an exceptionally good time. Moreover, I could easily relate to the main character because even though my situation is different in terms of diagnosis, the reactions of those around me were unfortunately very similar. Even today, I react extremely irritably to certain words, phrases, or expressions because a person can only handle a certain amount of empty words, which are seen as suitable for a specific situation. I just wish the ending was a bit more realistic. / Lesson learned: If you try, everything will be like it used to be. - Oh, come on! Be realistic.
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Some situations in life are simply not easy. You can run, not smoke, eat fairly healthy, but it still won't save you from cancer. This bitch just appears in anyone's life, she's not exactly picky. When Adam, a young man, finds out he has cancer, he is quite surprised. On the other hand, we must realize one crucial thing - the main characters in the movie are Joseph Gordon-Levitt and Seth Rogen, especially the latter is not someone who plays in fundamentally dramatic films. Is it possible to approach the diagnosis of cancer humorously, or at least with a smile?
More: http://www.filmovy-denik.cz/2013/02/5050-2011-70.html
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“I’m Adam Lerner, schwannoma neurofibrosarcoma.“ Another developmental stage of the bromance genre. Apatow’s comedy is intertwined with a “dying” melodrama. The boy-girl romantic storyline serves mainly as means of presenting the protagonist in greater detail, but it doesn’t answer the question of whether Adam’s girlfriends leave him melodrama because they’re bitches (as Kyle clearly believes) or because of his bland character and lack of will to change anything. Conversely, most of the truly touching moments are provided by the bromance storyline that sensibly uses Rogen’s committed (only?) position that he is a horny idiot and doesn’t care. He credibly complements Gordon-Levitt’s decent “I don't drink, I don’t smoke, I don't have a driver’s license” character (whose only bad habit is apparently biting his fingernails). The striking contrast between the two central characters is entertaining and their friendship is believable, while also offering two possible concepts of the human body – for survival/for satisfaction through pleasure. The laid-back pace of the narrative, sensitive incorporation of a serious subject into a comedy and the reduction of sentiment are definitely not qualities seen in every cinematic enrichment of oncological discourse. 50/50 not only enriches that, but also expands on it by putting a spotlight on false compassion and selfish unwillingness to take the negative with the positive, which is achieved through an initially likable girlfriend. Adam’s subsequent depressing loneliness casts doubt on the validity of the saying “live with people, die alone”. Some people are assholes, dying alone is a drag and living with a tumour involves pain, fatigue and vomiting. Banal, but true. The conveying of the knowledge that there may be no "after" was among the most powerful instance of such a message that I have ever experienced thanks to a film. Vastly superior to carcinogenic dramas. 85%
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A movie about life, about everyday reality, problems that need solving and about not surrendering life like it’s some stupid game of tag. 50/50 is a great movie, a brutal tear-jerker, but it was very pleasant to watch. Especially because of the actors who were being just the way I want to know them; being true to themselves and distinctive. Everything in this movie was the right fit and once again, I was able to watch a movie that results in a tremendous joy of life. And that’ll really lift your spirits…
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