Fight Club

At the age of eighteen, when I was angry at the system and I liked the Doors (the band) and Pulp Fiction, Fight Club would have been the movie of my life. But today, I don’t think I could be a movie star even if I really wanted to and did everything necessary to achieve that. And I've learned to get by in the system. Which is sufficient reason for me to think of this movie as just very spectacularly filmed bullshit. (2003-02-23)

An undisguised anarchist tinge of unapologetic shitting on the system? A satire on the emergence of terrorist groups seemingly based on good intentions? The hidden desires of a young man who wants to be something he can't be? Maybe none of it and maybe all of it together? In this case, I don’t care. The fact is that this is a brilliant piece of filmmaking with lots of great moments and food for thought. Fincher kicks ass. (2003-04-13)

David Fincher demonstrates an incredible mastery not only in how well-crafted the entire story is, but especially in how it is filmed. The fact that the acting performances are stunning is expected, but what stands out is how film techniques are utilized: various camera swoops, the insertion of seemingly nonsensical flashes, and a mosaic of dreams and reality. David Fincher is the king of dark psychological thrillers, and he proves it with essentially every one of his films. (2014-09-25)

The most indigestible, but intellectually and thematically the most charged and, perhaps for some, the most compelling David Fincher film. And after mature consideration, also my favorite. Anarchy, fights, and at times hopeless situations, depression, and despair. But above all, the life in it! The living energy of all the characters at any time of the day, night, or person. (2006-08-20)

Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95% (2020-05-12)