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The mundane existence of a product liability evaluator and insomniac, who is addicted to self-help groups, is turned upside down when he meets a sado-masochistic anarchist who is secretly plotting to overthrow civilization. As their friendship grows, they become increasingly involved in a secret society of "fight clubs" where men act out their aggressions and violently beat one another to a pulp. In the meantime, the evaluator falls in love with a woman who is also addicted to self-help groups, but is unable to act on his desire for her. (official distributor synopsis)

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Reviews (11)

Stanislaus 

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English David Fincher has done it again, and after Se7en he delivers a film that stands a notch higher in my book. The star trio of Edward Norton, Brad Pitt and Elena Bonham Carter were convincing and made the most of their performances. A great premise that looks ordinary at first sight (because you can find fights in every other American film), but when you delve deeper (this film is brimming with really strong psychological potential), something original emerges (a real mind-fuck). The best part is of course the final twist (Fincher got me here). The film may not be one of my favourites (I may downgrade to 4* in time) , but it will still be in my head for a while. ()

POMO 

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English At the age of eighteen, when I was angry at the system and I liked the Doors (the band) and Pulp Fiction, Fight Club would have been the movie of my life. But today, I don’t think I could be a movie star even if I really wanted to and did everything necessary to achieve that. And I've learned to get by in the system. Which is sufficient reason for me to think of this movie as just very spectacularly filmed bullshit. ()

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DaViD´82 

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English The genius directing by David Fincher plays the main role in Fight Club, being able to keep up with the anarchically crazy literary manifestation by Palahniuk against the current lifestyle of western society. Someone else who contributed a lot toward the excellent result was Jim Uhls, who adapted the book into a screenplay that could be used to make a movie. Unarguably, the book is a stronger experience, but the movie also has much to offer, thanks to the actors, the technical side and, primarily, Fincher’s playfulness. On the other hand, the original book isn’t one of the best things ever to have trickled out of Palahniuk’s sick mind. ()

Kaka 

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English The Fuck the system thing is okay, with a satirical undertone and plenty of references as well. No one can deny David Fincher's technical skill and thematic originality, but the philosophy misses the mark. A person can really be whatever they want, as long as they do what they should. But I understand that the masses are thrilled by it, how could they not, everything that is missing in other movies is here, or the other way around. ()

lamps 

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English Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95% ()

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