War Horse

War Horse is a beautiful film, exactly what you’d expect from Spielberg. It captures the absurdity of war, especially the First World War, in all its intensity while telling a story that feels almost like a fairy tale—centered around a horse, who is, without a doubt, the main character here. All the human actors feel secondary to the journey of the horse. While that’s pretty unique, it doesn't quite hit the five-star mark for me. That said, the war atmosphere is incredible, and there are some trench scenes I’ll never forget. Spielberg knows how to handle war stories like no one else, and I’m glad he took on WWI and brought something fresh to it. (2012-04-13)

War Horse follows in the footsteps of The Red Baron and the Flyboys. A wave of renewed interest in WW1 would be a great thing, it would just have to be based on films that aren't such failures. The memory of Düsseldorf will be more eternal and colorful than a sunset in all shades of orange. (2012-02-23)

This is a pretty special movie for me and I must say that I really enjoyed it. Spielberg filmed this in his own way and it ended up so that every scene looks like a poster. Some scenes stand out incredibly. The ride through the battlefield is the most powerful scene of the movie, thanks to John Williams’ music too. Sometimes maybe half of the good feeling from the movie comes from the somebody sitting next to you. (2012-02-27)

A nostalgic look back to the heartiest, most melodramatic stage of cinematography. Film poetry for people who remember those times, maybe the last of its kind. Had it been twenty minutes shorter, it would have been one of Steven Spielberg’s best movies. That it’s one of his most personal films can be felt from every scene. (2012-02-25)

This is going against the flow a little, but my problem with Warhorse isn’t that it’s a “chintzy Hollywood Spielbergesque tearjerker", but that in the end it isn’t like that at all. But that’s what it’s trying to be; too much, in fact; it is made like that but in its core it lacks the foundation to all movies like this - emotions. The bond between Albert and Joey is so slap-dash; it is ground up into mini-stories that blend into one; in the end I didn’t give a damn about either of them or about the movie either. And the movie should either have been much shorter (and just about those two) or should have been a regular mini-series, where each episode could tell one of the ten-minute escapades we see here. (2012-01-15)