Directed by:
James WanScreenplay:
Leigh WhannellComposer:
Joseph BisharaCast:
Patrick Wilson, Rose Byrne, Ty Simpkins, Johnny Yong Bosch, Lin Shaye, Leigh Whannell, Barbara Hershey, Joseph Bishara, Jeannette Sousa, Ruben Pla (more)VOD (1)
Plots(1)
When proud parents take possession of an old house, an accident results in one of their sons falling into a coma. The tragedy doesn't stop there when they are beset by vengeful spirits from another realm in this new chiller by the director and writer of Saw and by the producers of Paranormal Activity. (official distributor synopsis)
Videos (2)
Reviews (8)
A beginning like Paranormal Activity, a middle like Poltergeist, and an ending like Brian Yuzna. I don't understand why anyone wants to make a tired piece of crap like this these days. I put it on at 10pm, with the wind whipping the trees outside, I live alone, and the sound is full on. Sure, I was scared, I even choked on my Coke, but for God’s sake it was nothing else. I could pull just as spectacular a jump scare in a heartbeat on my rat without any resources (and it's a pretty intrepid rat), so I don't understand what James Wan was trying to prove. It has its stronger moments – the uptight family, for example, reminded me of the perfect The Cell, but otherwise it's all terribly... about nothing. Then the ending is a total throwback to the 80's, a fair fight with a ghost, a practically off-the-shelf demon, and a huh huh huh surprise finale. The main villain, in any case, is hilarious. He's always popping up somewhere, but he doesn't do anything, all you have to do is hide behind your bed in such a way that your whole torso is showing and you're free of him. Monsters live in closets, and... God, that I’m even wasting my time. Stars for music and the family.
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Wan is a scholarly student of all the genre textbooks and manuals, which is fine on the one hand because then he can afford to subvert Paranormal Activity in two or three scenes. On the other hand, he doesn't bring us anything new, so when Whannell shoots it down (again) with his script, it runs out of steam. The self-ironic insert with the arrival of the "ghostbuster" duo still works, but the exorcism scene sends it down the drain. The second half was obviously not meant to be scary, but as a bizarre trip to another world, it is actually too tame, meaning that any positive impressions disappear as quickly as the flash of a camera. This is especially true when you guess the point halfway through the film. 3 ½.
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I will start pointing out a couple of flaws to avoid giving the impression that I think Wan’s new film is a masterpiece. Some scenes are clumsily edited, the actors are not very convincing at times, and the script could be a little more sophisticated – I was able to figure out one of the minor twists the moment the film began preparing for it. But sod those minor mistakes, I haven’t felt so scared from a film since REC (2007). When it comes to arousing fear "INSIDIOUS is insidious", really. The opening credits have more atmosphere and paranormal phenomena than the entire Paranormal Activity, and the quieter first half made me jerk with two jump-scares, making it clear that this film would not fall into oblivion. And I’m not speaking about any cheap jump-scares where a monster says “boo!!” in a thousand decibels. No, here the monster is standing quietly in a corner and you get scared when you notice it (together with the characters). In the second half things go full steam – a seance and astral travelling – and I was jerking nervously, almost non-stop. Back in the day, Saw shocked and excited me, Dead Silence was a pleasant surprise, but it’s Wan who has made a proper horror gem. Insidious isn’t a trendy horror video clip for the 21st century, but crystal clear terror like from an old master. As horror 10/10.
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Fred Pytl's residential monster cabaret with an elephant grandmother, a gerontophilic bride, a necrophile metal-head and the pedophile devil Bertík. On earth it is possible, in the astral plane it is astral garbage filmed as a Saturday television party with a Vampire and its grave sewers. The scariest part of this is the number of non-flowing dialogues, from which Bela Lugosi would also grow old.
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A pretty intense and scary ghost film that only uses the best of the tried and tested genre elements the viewer is always guaranteed to enjoy. The script is weaker (come up with an original horror film nowadays), but James Wan has really played with the form and his imaginative direction doesn't let you breathe practically throughout. The actors are also very good, the atmosphere is chilling and disturbing, and the music is strong enough to underscore the scares and amplify their effect. And if I said I didn't get chills down my spine during the final scene, I'd be lying like a politician... :) It has steamrolled Paranormal Activity. 80%
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