Directed by:
Peter BergScreenplay:
Peter BergCinematography:
Tobias A. SchliesslerCast:
Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Yousuf Azami, Ali Suliman, Eric Bana, Alexander Ludwig, Rich Ting, Dan Bilzerian, Jerry Ferrara (more)VOD (2)
Plots(1)
LONE SURVIVOR tells the incredible tale of four Navy SEALs on a covert mission to neutralize a high-level al-Qaeda operative who are ambushed by the enemy in the mountains of Afghanistan. Faced with an impossible moral decision, the small band is isolated from help and surrounded by a much larger force of Taliban ready for war. As they confront unthinkable odds together, the four men find reserves of strength and resilience as they stay in the fight to the finish. (official distributor synopsis)
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Reviews (12)
Following Gravity and All Is Lost (and, to some extent, Captain Phillips), Lone Survivor is another high-contact fight for survival, placing vicarious experience over a complicated plot. Instead of examining the film’s content, it suffices to read the title. With the exception of the introductory panoramas of the picturesque Afghan landscape (which can be understood as part of an effort to not demonise the whole country, but only the Taliban…though the film was shot in New Mexico), Berg relies predominantly on point-of-view shots and close-ups. The camera’s close proximity to the characters occasionally results in a lack of clarity, though it also adds an unpleasant veracity. The impression of rawness is aided by the film’s R rating, thanks to which we can “enjoy” every shot-off finger and every bone-breaking impact on a rock. The film’s long, superbly intensified action core with minimum pathos is unfortunately put in a context that is not very sophisticated. After a broad introduction, the members of the team blend together, the Taliban are evil because they cut off heads, and any indication of the current American military’s inadequacies is quickly suppressed (the unpleasant hazing of a new recruit rapidly transmutes into an inspiring rhyme). In contrast to what we have witnessed (a fatally botched mission) and what in places had a refreshing tinge of ambivalence (the argument about what to do with a captured enemy combatant), the film ends with the cheap pre-credits glorification of the soldiers involved. – SPOILER: With most of them, it’s impossible to avoid the not-insignificant feeling that we are supposed to consider them heroes simply because they didn’t die. END SPOILER – After All is Lost, where I was bothered by the lack of value added, I wouldn’t have expected that I would write this, but this time I would have preferred a pure survival flick without any information aimed at bringing depth to the story. 65%
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Peter Berg knows how to shoot a proper action movie for men who leave their handkerchiefs at home and go watch a real shootout. However, in this movie, he portrayed one real story, which he filmed in an absolutely unlikely way. It is so unrealistic that it is striking even for me. And I’m usually not that hard to please. It’s unbelievable what the guys survived. The height from which they fell, the number of bullets they dodged and the number of bullets in their body with which they managed to hobble away. Incredible. Despite the fact that the whole way up the hill was stretched in a really stupid way. It’s a real pity that it was so stupid, because everything else was working. Including the amazing expressive music from Explosions in the Sky as well as the Navy Seals unit full of tough guys.
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From 40 minutes on, the film is action packed with nonstop brutal war scenes! The tension builds as fast as the clearing of enemy heads. The excellent direction and cinematography ensure a painful trip that will make you squirm like the four main protagonists. Each of them plays their role very convincingly. Mark Wahlberg is sharp as ever, Emile Hirsch is strong and sensitive, Taylor Kitsch decently handles the difficult decisions as the leader, and Ben Foster is terrifyingly cold but compassionate. I must highlight the breathtaking camera shots of the four soldiers falling off the cliff, they were gritty and raw and gave the film a great edge. Peter Berg did a good job with the premise and the execution. After the second screening I enjoyed the film much more, so I raise to 5*. 90%.
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It is closest in its formal concept to Black Hawk Down, but it doesn't have the same quality action or the same narrative value. Peter Berg made it for blokes, but he only managed to create a mediocre raw survival action flick where marines, shot up like a sieve, fly around rocks and perform all kinds of stunts that you can imagine. He was able to create a good military atmosphere, and has observed and listened, but unfortunately the ending terrible, similar to Tears of the Sun, to which is this one is very similar in terms of the screenplay.
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An absolutely captivating war movie about how a group of four Terminators disguised as SEALs go on a high-altitude trek through Taliban-controlled Afghanistan and how the awfully evil Taliban (hereafter AET) really don’t like it, so they try to persuade the awfully nice Americans (hereafter ANA) to go to the happy hunting ground using their ample arsenal. The film opens with scenes of a peaceful life at the American military base where the Marines are planning weddings, making a shopping list for IKEA, and conferring with their fellow soldiers about interior design. This friendly scene is soon followed by the aforementioned trekking, which, after an action-packed encounter with a herd of goats, turns into the AET's repeated attempts to take out all four Terminators. They survive insane falls, being hit by projectiles from various firearms (mainly AK 47s and RPGs), and, since the AET don't have Linda Hamilton or Michael Biehn in their ranks, they take an awfully long time. Plus, they get betrayed by the residents of a nearby village, so their plan turns to dust. When the helicopters arrived, I wished I were an American so I could proudly stand at attention and shed tears with my hand on my heart.
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Gallery (46)
Photo © Universal Pictures
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