Directed by:
Miloš FormanCinematography:
Haskell WexlerComposer:
Jack NitzscheCast:
Jack Nicholson, Louise Fletcher, William Redfield, Will Sampson, Brad Dourif, Sydney Lassick, Danny DeVito, Christopher Lloyd, William Duell (more)VOD (1)
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A nice rest in a state mental hospital beats a stretch in the pen, right? Randle P. McMurphy (Jack Nicholson), a free-spirited con with lightning in his veins and glib on his tongue, fakes insanity and moves in with what he calls the "nuts." Immediately, his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffle around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher), among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward. Based on Ken Kesey's acclaimed bestseller. (official distributor synopsis)
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Reviews (13)
Clearly the best of Miloš Forman, the best of Jack Nicholson, and one of the most works I most admire. If I had to objectively state one film that deserves the highest rating from everyone, I would say it is indeed One Flew Over the Cuckoo's Nest. The actors compete over who does the best acting job – whether it's Randall, the head nurse, or any of the other crazies, they are all incredibly believable. For me, the best was the Indian, also because of the ending, where my jaw dropped and stayed hanging open for quite some time.
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An excellent film in all respects, which, like wine, matures in your head over the viewings. The combination of Milos Forman being on top form and the frantic acting of Jack Nicholson is simply mesmerising. And I could point out every aspect of the film in that same way. In short, a truly legendary piece of work.
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A truly good and interesting movie. I’m not too keen on Jack Nicholson, but here he gives an excellent performance and his McMurphy is a really great piece of acting, but equally great is Will Sampson in the role of the taciturn Chief. In fact, all of the acting performances deserve admiration. Perfect nutters :-). And Louise Fletcher as the dictatorial nurse is asking to be strangled. Forman’s masterpiece.
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An inexpressible acting and directing concerto, based on an excellent book and a great script. It's hard to say to whom to most "attribute" the suggestiveness of One Flew Over the Cuckoo's Nest, whether the actor ensemble, who spent several weeks behind the walls of the world of "abnormality" to absorb the color there (and they succeeded perfectly), or Miloš Forman, whose sensitive and basically inconspicuous but perfectly well-established direction give the film a touch of quiet, subliminal drama, which reaches its greatest intensity in the group therapy scenes... Perhaps the most appropriate conclusion is that One Flew Over the Cuckoo's Nest is a perfectly coordinated symphony of all instruments, dominated by the solo parts of Jack Nicholson (incredibly natural and truly manic) and Louise Fletcher (whose beautiful façade hides a minimalist, gruesome interior). The quiet struggle of these two elements – the noisy bon vivant and troublemaker McMurphy and the despotic ruler of the Ratched sisters perfectly complements the smaller but all the more respectable acting party of the department's inmates. Miloš Forman moves in the world of the "crazies" with absolute clarity, with a documentary overview and flawless feeling for the inner drama of the characters. Years later, this image of individual freedom and joy of living in the midst of a world that eats its inhabitants mercilessly is still much better than everything that has been filmed on the subject (including the calculated The Shawshank Redemption).
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What more can I say about this cinematic gem when practically everything has been said. This film stands especially on the performances of the many actors involved: the bohemian Jack Nicholson, the devilish Louise Fletcher, the good-natured Will Sampson, the dim-witted Brad Dourif, all of whom give wonderful performances. It is because of them, and the oppressive mental hospital setting that almost always works, that this film the most celebrated Czech director is a cinematic gem of the highest quality. In short, a beautiful made film for which we can be truly grateful to Miloš Forman.
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