Directed by:
Abdellatif KechicheCinematography:
Sofian El FaniCast:
Adèle Exarchopoulos, Léa Seydoux, Salim Kechiouche, Jeremie Laheurte, Catherine Salée, Aurélien Recoing, Benjamin Siksou, Alma Jodorowsky, Sandor Funtek (more)VOD (1)
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15-year-old Adèle dreams of finding the love of her life. When she meets Thomas - a dark, handsome, friendly stranger who falls for her instantly - her dream seems to have come true. But an unsettling erotic reverie upsets the romance before it begins. Adèle imagines that the mysterious, blue-haired girl she encountered in the street slips into her bed and possesses her with an overwhelming voluptuous pleasure. She can no longer deny her true desires - Adèle likes girls. Then the gorgeous, sensual blue-haired girl reappears. and approaches her. A passionate and chaotic love story has begun... (Wild Bunch Distribution)
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Reviews (10)
From the first more intimate dialogue, physically intense spectacle, three hours in Adele's skin is surprisingly little. Or at least it would be, if the script didn't sometimes play a slightly repetitive melody. The hotly debated and open love scenes could really use some editing. Not that the first liberating one didn't have its place in the film, but the others no longer offer any surprises and, in one case, even slow things down. It's a pity, especially since the situations are so believable and inspired by life, when a person has a smile from ear to ear under all circumstances, because no matter what happens, they are simply happy. On the other hand, I won't get over the moments when you have a heavy feeling in your stomach together with the main protagonist because nothing is okay for a long time. Abdellatif Kechiche is obviously a peculiar patron, but for allowing me to live Adele's life, I must thank him without hesitation. It's even more disappointing that she grinds to a halt at the very end and in a crucial moment appears almost helpless. And I don't want to remember the sincere, vibrant Adele as helpless.
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If this movie were about a teenage hetero couple, it’d be mundane and uninteresting. If it were about two gay boys, it’d be unwatchable for most viewers. But it’s about two lesbians and the Cannes jury, led by the king of Hollywood, awarded it the Golden Palm. Like Linklater’s three-hour- long Boyhood, the three-hour-long Blue is the Warmest Color slowly and not too dramatically talks about everyday life issues. But unlike Boyhood, it focuses on one particular stage in the main character’s life and goes so deep that the last part of her story moves the viewer to tears. Because we all know how that hurts, no matter what our sexual orientation is. The sex scenes are very open, but not self-serving. On the contrary, they are very important for the physical and emotional absorption of the story, which is its alpha and omega. The central duo of young actresses is incredible in every word, feeling and look.
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From the very first moment, you can tell that this was directed by a creator who knew exactly how to handle every scene. If he wanted to portray desire, he did it perfectly, but equally so boredom, hesitation, inability to fit in with the group, the beauty and spontaneity of lovemaking, as well as the sweatiness and speed of sex. It’s three hours long, yet every scene is in its rightful place. You don't even want to believe it until you see it. And what's the best part? Abdellatif Kechiche simply depicted things (relationships) as they are, without embellishment, just being realistic, which sometimes means being harsh. It doesn't have to look nice, but why not capture reality as it sometimes is? Thanks to Adèle Exarchopoulos, you see how many dimensions human nature can have. We're not just good or bad; sometimes we're repulsive, sometimes devoted, sometimes naive, sometimes foolish, sometimes completely indifferent, and other times... different. One person can do it all. Abdellatif Kechiche convinces me, especially after Black Venus, that the audience can tolerate reality and it doesn't have to be exaggerated; sometimes it's enough to simply let the camera watch. Still, I can't help but feel the length is excessively long.
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What to say about a movie that lasts three hours and you're not bored for a minute, in fact, you'd gladly watch another hour... A very impressive, extremely intense, and thoroughly immersive cinematic experience! That's how I want to express my feelings. Moreover, the actress playing the lead role could not have been better chosen, as she did not just play Adèle, she lived her. I could go on and on about the story of the intimate lesbian relationship between Adèle and Emma, with a lot of great dialogue, but I don't think it would do much good. It can't be told because it has to be seen to understand the genius of this emotionally intense relationship film. (95%)
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The problem isn’t in its (justified) enormous length, but it should have taken a break between chapters 1 and 2. A good few years too, to let Adele grow up, because it seems quite out of place when, in the second phase, the scarcely twenty-year-old girl plays a middle aged woman and all that was different from her teenage phase were the glasses. Another problem are the explicit sex scenes; how they were performed didn’t fit with the mood of the movie. More than anything else, it seems like Kechiche wanted to quench his thirst for slapping young meat on set. Paradoxically, the best bed scene was the dialog after the garden party. And not least is the problematic closing twenty minutes when it gradually fizzles out in a way quite unfair to the qualities of the rest of the movie. These difficulties still don’t outweigh the fact that there are still entire passages (enough to make a long feature movie) when the story of Adele and Emma’s relationship is unrivalled in authenticity, drawing the viewer through all of the good and bad emotions that are integral to any relationship. P.S.: If you are racking your brains about the role of the diary that there so much secret and important talk about, but then nothing (not even the MacGuffin), so I recommend finding out what work this is based on and what the narrative style the original is.
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