The Best Offer

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Drama / Romance / Mystery / Crime
Italy, 2013, 124 min

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Geoffrey Rush is superb in this stylish art world thriller as Virgil Oldman, managing director of a leading auction house. Over the years, he has collected hundreds of masterful, priceless portraits of women that he keeps hidden in his villa. One day, Oldman receives a special assignment: a mysterious young woman, who refuses to appear in person, asks him to sell her family's antiques. Not only interested in her classical paintings and furniture, Oldman becomes increasingly fascinated by the mysterious incognito woman, leading to a sumptuous and entertaining mystery of passions, neuroses and intrigue. Directed by Academy Award winner Giuseppe Tornatore (Cinema Paradiso) with music by the brilliant Ennio Morricone, The Best Offer also stars Jim Sturgess and Donald Sutherland. (Mongrel Media)

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Reviews (10)

Kaka 

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English What a phenomenal film fake. It's not about the finale or the structure of the screenplay, whose twist is predictable from halfway through. Focus on the captivating camera, life the themes and truths, Geoffrey Rush's performance, and the pure emotions. A film about love with all its positives and negatives, it only matters whether it works out or not. And at the same time, it points out that nothing may be as it initially seems. Absolutely complex, a masterpiece. ()

EvilPhoEniX 

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English I wasn't attracted to the film at first (art, drama, romance are not my thing), but Giuseppe Tornatore is awesome, and there is little that disappoints in his direction. The film has charming sets, antiques and furniture, decent actors and although it’s slower, the final twist is unbeatable. 80% ()

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kaylin 

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English This is a film that absolutely blew me away with its conclusion. I thought it was just going to be a specific romance, but it had so many extra elements. Whether it's the auction, one of the first robots, or that final twist that really got to me. Giuseppe Tornatore continues to show that he has what it takes to make interesting films. This one was good, thanks in part to the great Geoffrey Rush. ()

Malarkey 

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English I like movies like this one. I like it when the movie is playing with me and I love stories that can knock me off my feet. And I feel like I have to praise the things that all the users here criticized in their reviews. The director shot a beautiful, mystery story that’s amazing in the very essence of its premise. Geoffrey Rush puts on an acting class and the director Tornatore shows some excellent filmmaking craft and Ennio Morricone wraps it all into some amazing music. It almost seems that this movie cannot go wrong because it was handled by the best in the business. And if it really does look like it was, it makes me all the happier that the movie was shot in Prague of all places. I mean the finale in the Mother of Cities is as magical as it can be. It’s a beautiful and border-line fantastic experience that made me feel really strange afterwards. ()

DaViD´82 

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English I am sincerely sorry for the staff of that dive of a Prague beer bar Pivnice U Milosrdných; I can just see how tourists look in there curiously and then wonder “where has that sumptuous, stylish interior from that great but really depressing movie gotten to?" And I hope that Polanski sees it (the movie, not the beer) to learn in just half an hour what an adaptation of Club Dumas should look like. ()

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