Directed by:
Jordan Vogt-RobertsCinematography:
Larry FongComposer:
Henry JackmanCast:
Tom Hiddleston, Brie Larson, Corey Hawkins, Samuel L. Jackson, John C. Reilly, Jason Mitchell, Toby Kebbell, John Goodman, Thomas Mann, John Ortiz (more)VOD (1)
Plots(1)
When a scientific expedition to an uncharted island awakens titanic forces of nature, a mission of discovery becomes an explosive war between monster and man. Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman and John C. Reilly star in a thrilling and original new adventure that reveals the untold story of how Kong became King. (Warner Bros. US)
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Reviews (12)
The new Kong offers a good dose of audiovisual orgy, which is nice to watch, but if you've seen all the trailers, the film itself doesn't offer much more, which is a shame. Personally, I was (pleasantly) surprised by Kong's fairly early arrival on the scene. The mysterious and almost inaccessible Skull Island offers a lot of giant, bizarre-looking and very dangerous creatures going after the "intruders from the other side". The action scenes all work well for the most part – the giant spider, the battle in the burial ground and the final fight. On the other hand, the plain and nonsensical dialogue, especially between the soldiers, was a real problem. Of the cast, I was most impressed with the unhealthily deranged Samuel L. Jackson and the healthily deranged John C. Reilly. In the end, this is a typical popcorn flick that you shouldn't expect too much from, because then you'll enjoy it all the more. Unfortunately, there were some expectations on my part.
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Kong is big, King Kong 2005 was great. The words are very similar, but from a filmmaker's perspective they are completely distant. Peter Jackson made films for the love of the material, Jordan Vogt-Roberts makes what the current mainstream is most interested in – mainly drive, dynamics, imaginative monsters of all kinds and great fights. The script is unfortunately pulled out of thin air, and if it weren't for the incredibly polished visuals and the fine 70's atmosphere with old music, it wouldn't have been much fun. Brie Larson is only here for her looks, and the ensemble cast is saved by the impeccable John C. Reilly. The 10 percent better visual effects aren't enough to trump the 50 percent better approach to the material of its predecessor. It is also puzzling that the only emotion is evoked by the closing credits.
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An abridged version of this movie with all the “wow moments” can be found in the video section. It’s called “Trailer”. A five-dollar script. Whereas Godzilla was dark and stylish, Kong is a mass of colorful gelatin without a single emotion or a hint of tension. The great ape’s entrance is fast and furious, but the moment of surprise is killed by the knowledge already imparted by the trailers. The same goes for the astonishment over the cool monster, which had already been revealed beforehand. And that’s a pity, as there is an attempt to recreate the atmosphere of the lost worlds of the 1950s and 1960s, Hiddleston’s tracker is good (he and Brie Larson would’ve had great chemistry with a better script) and John C. Reilly is the highlight of the film. Only Samuel L. Jackson does not know what to do with his militant lunatic character; a butcher like the one played by Stephen Lang in Avatar would have been better here.
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At first I was loving this romp unburdened by logic, and I wanted to come back to it repeatedly, but after a second date, the flaws in the form of the overly stylized script (as if the story was pieced together only around pre-conceived cool shots and scenes), the unfunny dialogues and the almost zero atmosphere don't do it anymore. I like the film as an ultra-loud, polished audiovisual spectacle, and for its sincere nature of a simple, fun blockbuster, the impressive 70s feel full of period songs, and the looks of the mesmerizing Brie Larson, but I can't forgive it for its reprehensible waste of a subject promising atmospheric goosebumps like Edwards' Godzilla. There are a few scenes that are genuinely hilarious and John C. Reilly steals the second half, but this could (and should) have turned out differently (and a little better). 70%
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A very well made but increasingly worse film as time passes. Alas. I was looking forward to it, and I can't say that I didn't get to see some good scenes (nothing beat the helicopter attack) and ideas, but somewhere after about half an hour the script got into a rather annoying loop of "period song - walking - monster appears - battle/escape - period song - walking - monster appears," very strange situations and scenes (the ship) and most of all I didn't care about almost any of the human characters. Why would I, when most of them were completely useless (Tom Hiddleston, for example, just walks through almost the whole film and doesn't do anything extravagant), unused (John Goodman, unfortunately) or downright annoying (John C. Reilly)... Seriously a shame. I wasn't expecting a second Godzilla, but at least some good fun.
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Gallery (139)
Photo © Warner Bros.
![Kong: Skull Island - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/542/161542364_e97f16.jpg)
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