Directed by:
James FoleyScreenplay:
Niall LeonardCinematography:
John SchwartzmanComposer:
Danny ElfmanCast:
Dakota Johnson, Jamie Dornan, Eric Johnson, Eloise Mumford, Bella Heathcote, Rita Ora, Luke Grimes, Victor Rasuk, Max Martini, Bruce Altman, Kim Basinger (more)VOD (1)
Plots(1)
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian's past start to circle the couple, determined to destroy their hopes for a future together. (Universal Pictures US)
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Reviews (9)
First book average, movie great, second book awesome, movie average. Or is it a matter of expectation? When I wasn't expecting anything, I was surprised. When I allowed myself to expect a lot, I was disappointed. I guess it's also because I finished the book the day I went to the cinema, so I was a little overly annoyed at how the film deviated from the book. Especially in the case of Grey. Where's the possessive guy who's terrifying and makes Ana finish every meal? I suspect the director didn't read the book, because otherwise he couldn't have denied Christian his most distinctive qualities, which a viewer who hasn't read the book won't really know about. And he also misses out on a great deal of witty dialogue and interesting characters that are just begging to be on screen. I feel like I've seen an edited version. The first one was just done with a lot more feeling and highlighted exactly the scenes that needed to be. Unfortunately that didn't happen in this case, it's all chop chop to get it done. Except perhaps for the sex scenes and the one on the boat, everything is terribly sped up, without the necessary feeling. I mean, that's what this story is supposed to be about, isn’t it? The fact that I didn't like the choice of actors for most of the characters is probably very subjective, so I can live with that, but why on earth change their characters? Elena seems mysterious in the book, but here she's just a toxic old bat full of botox. That's it. Dornan and Dakota are good, but it just bugs me that even though they both have the chops to play the characters exactly as they are, no one asked them to. Still, they have my admiration, especially for the titillating scenes.
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It starts out as an alright soft porn flick for the ladies, with an almost nonexistent storyline that is only there to hold together all the hot and sweaty scenes, which appear about every 15 minutes. That would make it a two-star movie, or maybe even a three-star if you haven’t had a proper orgasm in a while. And then the plot thickens and the movie starts to aspire to look like a serious drama, resulting in fits of uncontrolled laughter of even the ladies in the audience. It’s really much worse than you’d expect, a lot worse than the first installment. It’s so bad it is basically unrivalled in the cinemas.
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The title should be 117 minutes of boredom. The only thing worth looking at is Dornan's body, and even that doesn't save the film. I would like to see Dakota Johnson in a deeper role, I enjoy her acting, it's so casual and natural. I don’t mind watching something undemanding every now and again, but this was about nothing. The first episode was a star more entertaining...
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It's the same as the first one. Simply a bad movie that you expect to be at least sexy, but it's not. Dakota is sexy in one single scene, otherwise she's incredibly awkward and I'm surprised she enjoyed playing this. Jamie is fine, but his character goes to shit, not to mention that he doesn't give a damn about the bullshit they're saying. And is there something rougher here? No chance.
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I can't help it, but I've somehow stopped enjoying admiring Jamie Dornan's perfect body and listening to the good soundtrack. It would also need to develop the story a bit more, which underwent almost no changes compared to Fifty Shades of Grey. I was really bored this time. And one more little thing... I searched in vain for the darkness mentioned in the title of the film. (45%)
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