Directed by:
F. Gary GrayScreenplay:
Chris MorganCinematography:
Stephen F. WindonComposer:
Brian TylerCast:
Vin Diesel, Dwayne Johnson, Jason Statham, Charlize Theron, Kurt Russell, Michelle Rodriguez, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Luke Evans (more)VOD (2)
Plots(1)
Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game - and the rest of the crew has been exonerated - the globetrotting team has found a semblance of a normal life. But when a mysterious woman (Oscar® winner Charlize Theron) seduces Dom into the world of crime he can't seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world's stage...and to bring home the man who made them a family. (Universal Pictures US)
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Reviews (12)
Being the screenwriter of a billion-dollar franchise must be a bitch. Sniffing cocaine out of the asses of L.A.'s top prostitutes and knowing that no matter how much shit you do on paper, you'll get away with it and someone will actually film it eventually. Don't be fooled by the perfect production glitz because this is Hollywood sludge that lacks even a shred of judgment. I don't mind the overblown action orgy, where stuntmen go all out and everything is tuned by special effects artists who were paid handsomely for their overtime. It bothers me that it flies around the world without anchoring itself in the plot, that so many Deus ex machina enter the plot, and that even the zombie is supposed to be excused by the fact that family is the most important thing. It’s overpriced kitsch that does not caricature the trend set by the fifth film in the series but instead degrades it.
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But... ummm... Why not. It's soulless, but it's fun, although more than Vin Diesel and his family (put aside five crowns every time that word comes up and you have enough for a movie ticket) benefits from Dwayne Johnson and Jason Statham (I understand why they earned their own film), from Charlize Theron, and especially from the sympathetically excessive action, in which cars behave like wild animals and you wait for them to turn into Transformers, and when a submarine joins the final chase, it's actually not inappropriate at all.
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The Fast and Furious brand isn’t about cars like it used to. It’s not about the races or the smell of burnt tires anymore. Now it’s a brand ensuring high-quality action orgies that may be as dumb as a doorknob, but they have bigger balls than an elephant does. Moreover, they have such a solid casting of action movie actors that I feel like they’ve created a sequel to The Expendables. Personally, I liked Jason Statham the most. He has found himself in his recent roles and he had some amazing lines here. The monstrous actor The Rock comes close second and the entire rest of them follows, including Charlize Theron who was pretty sickening as a villain.
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Fantastically filmed hogwash which I find incredibly entertaining. Great effects give even the most bizarre scenes a feeling of reality. Despite all of the crazy shit going down, the screenwriter manages to keep the story within firmly set bounds, and his imagination is admirable. Rock and Statham are delightful both with their cool lines and their friendly mockery of each other. Diesel is just classic. He made this movie for fun, earning some money at the same time.
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An ultra-brutally overblown action flick (at times to the point where I was expecting the Death Star to be the target of the villains and The Rock to pull a Mustang with a built-in R2-D2 out of the garage), but one that manages the near-impossible feat of finding a workable balance between over-the-top superhero antics, where absolutely anything goes, and a more serious psychological conflict leading to seriously motivated nonsensical antics. And the middle ground is both in the addictive humour and the tremendous insight, thanks to which the film immediately gets the audience exactly where it wants to go, and every sci-fi element is simply funny and somehow natural. But there’s also the very well constructed script, which, for a change, deftly handles the limited communicativeness and resorts much less to visibly improvised and wannabe cool dialogues (and when it does, it's quite good, e.g. the delicate verbal shootouts between Johnson and Statham, which are the steroid of the first half). In addition to being deliberately over-the-top and spectacular, the action is also royally entertaining and intense, culminating in a double finale that is one of the most gripping in history (Statham now aspires to be the nanny of the century, his scene with the baby being the best sequence of the entire series). Charlize is a great villain, Gybson still isn't annoying, I still love Rodriguez, and I sincerely hope Gray stays fast and furious, because after the miserable Seven, my interest in this testosterone-laden franchise shot to considerable heights. 80%
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