Hostiles

Fortunately, Scott Cooper understood that Black Mass was a failed test of a new course for his directing career and that the ideal thing to do was to return to what he does best. Hostiles copies the signature of Out of the Furnace, it’s slow, full of violence and raw emotions. Instead of a purely masculine take, this time he incorporates a strong feminine element as well, and he has succeeded to perfection. It dilutes the macho western, giving it a dramatic dimension and a strong emotional arc, for it is the scenes with Rosamund Pike that are often chilling, sometimes at least very compelling and understandable to the viewer. Christian Bale plays a similar role to his present-day brother, a few years older, he doesn’t say much, but does a lot. On the one hand, this is a gritty, absolutely classically conveyed story (the clash of whites and native savages) of a typical western, and at the same time they subliminally play an interesting game of hatred and reconciliation, where the characters are neither clearly good nor clearly bad and it is often just a matter of point of view and understanding. The great cinematography and the unique scenery of Wyoming and Montana add to the wistful atmosphere, supported by Max Richter's soaring violin. A Western without unnecessary experiments, solid in the basics, a successful return to the roots. (2018-04-15)

Nontraditional western with almost philosophical contemplations about death. Mainly about the death of loved ones. In his role of a mumbling captain, Bale caught the right wave again, his torn soul shining in his eyes. In her supporting role, Rosamund Pike skillfully steals the strongest scenes for herself e.g. with the sleeping children and shooting the corpse. A story wrapped inside an almost ironical pilgrimage towards death also boasts amazing visuals. There could be more of Foster, he makes just a fleeting appearance. I was just doing my job. (2018-07-20)

The premise gave me a feeling that this would be one of the best Hollywood experiences. And it really was. It has exactly everything is should and nothing more, nothing less. Christian Bale and Wes Studi greatly portray the best warriors of their respective sides and as destiny has planned, at the end of their lives they meet again just so one of them can carry the other home. And it is done on the President’s order. Brutal bloody scenes, unbelievably strong emotions, characters you pity, the darkness in their minds you can’t understand and the scenes you won’t forget. Undoubtedly a great experience and the last scene is probably the most beautiful and poetic movie ending I have seen in years. (2020-10-07)

Scott Cooper has gone beyond me so far, but this was exactly what one imagines quality filmmaking to be. Already the uncompromisingly raw and brutal opening, into which they throw us without warning, managed to set the whole direction of the film and indicated quite clearly that nobody was going to pull any punches. Violence is expressed explicitly and with no regard for children or women, but at the same time casually and skillfully enough not to make weaker viewers uncomfortable, as well as the excellent camera work and exposures of landscapes, the western touch that is felt from the first minutes, and the excellent musical score. The chemistry between Christian Bale and Wes Studi as the Indian chief is excellent, and the gradual development of their characters is straight out of a written drama. The action scenes are realistic, the Indians are brutal to the point of blood and whenever they appear on the scene, you know it's bad. Few films can be so engrossing every second and for someone who doesn’t like westerns, this one sucked me in brilliantly. Hostiles is simply a well-delivered drama portraying the strained relationship between two parties where you never know who will live to see tomorrow, and a quality western that is very confident in its action and combines both of the aforementioned aspects together in the finale – the final carnage and the palpable catharsis of the main characters. I have absolutely no reservations, this is a gem and I would watch it again in a heartbeat. (2021-10-11)

Apocalypse Now of the American West. A completely different western, and gorgeous. A structure based on Coppola's legend that takes you through a thematic landscape in search of epiphany and awareness, with great performances, a tender yet unsettling minimalist soundtrack and unprecedented spiritual depth, and an ending that will make you want to cry together with the protagonists. The filmmaking is deliberately austere, but Cooper scores again with a sensitive narrative that, while slow, can hardly be faulted in terms of the key emphasis on the interactions between the characters and the overall critical portrayal of America's ugly phase at the time. Perhaps there could have been fewer of those puzzling scenes by the fire and the development of the relationship between the captain and the chief is too fast, but this has no effect on the overall emotional and mental catharsis. How the hell didn't this have any Oscar nominations?!! (2018-10-01)