Directed by:
Rawson Marshall ThurberScreenplay:
Rawson Marshall ThurberCinematography:
Robert ElswitComposer:
Steve JablonskyCast:
Dwayne Johnson, Neve Campbell, Pablo Schreiber, Noah Taylor, Roland Møller, Chin Han, Byron Mann, Hannah Quinlivan, McKenna Roberts, Noah Cottrell (more)VOD (1)
Plots(1)
Former FBI Hostage Rescue Team leader and U.S. war veteran Will Ford now assesses security for skyscrapers. He's on assignment in China when he finds the tallest, safest building in the world suddenly ablaze, and he's been framed for it. A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family, which is trapped inside the building, above the fire line. (Lionsgate UK)
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Reviews (8)
While watching this I couldn't stop thinking about the comment from the documentary Electric Boogaloo that even though spent the 80s and 90s shooting virtually the same stories with similar outcomes, the difference was that they were on the fringes of film interest and were making films with minimal budgets only to sell them to distribution companies later, their contemporaries nowadays are blockbusters with the most expensive actors and nine-figure budgets. Infantile times call for infantile deeds. Although engagement in the form of being drowned in something helps, because the dizzying scenes and the occasional destruction here and there can be pleasing to the undemanding eye, it's more likely that irritation will ultimately prevail over the poorly edited action, sleazy pandering to the Chinese market, dull motivations and characters, and Dwayne Johnson's unbearably incompetent acting (don't tell me he didn't indiscreetly feel someone up maybe a decade ago, come on, find the evidence. I'll give you money). Plus, the presence of terrorists in the building brings to mind the first Die Hard every now and then, and as soon as you’ve got that on your mind, the whole Skyscraper comes tumbling down.
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Truly a B-movie version of The Towering Inferno inspired by Die Hard. It just doesn't follow the rules (let alone match the quality) of either of those films. Not even remotely. The filmmakers even go against the basic cornerstone of such movies, in which the main character must be someone convincing, “an ordinary person" à la Harrison Ford (among others) in the nineties. In other words, who is the most suitable person to do the job than the only living superman whose acting tries to give the impression of an average father and family man. Not only does this flirt with consciously being a guilty pleasure, but it never fully accepts this aspect. Its advantage is that with it's stupid, straightforward and eye-catching CGI, the viewer tends to press the buttons on the remote control with their thumb during the jumping scenes, so it's undeniably fun... Well, no, rather it's not boring, not for a moment, which is actually the best possible testimonial for this average consumer nonsense along the lines of “turn off your brain and watch it once."
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Unfortunately, this movie doesn't even come close to the classics of this genre, such as Towering Inferno with Paul Newman and Steve McQueen, or Die Hard with Bruce Willis. The story itself is incredibly stupid and predictable, so I must focus more on the visual side, which the filmmakers did quite well. We can say that it is a kind of unpretentious action movie, with occasional suspenseful scenes here and there. (50%)
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Die Hard is history! And Bruce Willis can go bury himself. Dwayne "Super-Super-Super-Ultrahero" Johnson has finally found his magnum opus, and I applaud, moved and teary-eyed, in an empty theatre. A wonderfully entertaining first-rate answer to all the inferior and illogical action crap with the aforementioned Die Hard leading the way. Grandiose and endlessly creative popcorn flick for all who love The Rock and his standard of craftsmanship (so, of course, for everyone). The scene on the crane is the best adrenaline ride in history. Bottom line, an artisanal rip-off of action legends for an inoffensive three stars. Or you don’t get the irony?
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Very silly, but very entertaining. There’s something happening all the time. The Towering Inferno crossed not only with Die Hard but also with Mission Impossible, with the only difference that, where Tom Cruise had sticky gloves, the muscle-bound Rock uses Scotch Tape and a curtain drawstring. Skyscraper is simply a solid popcorn movie that doesn’t require you to think very much. I awarded it a fourth star for the visual aspect and the amazing aerial shots.
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