For a Few Dollars More

Everything that was good about the first installment is here twice over. The stuffiness on screen is almost unbreathable, the villain here has definitely crossed the point of no return. The film mops the floor with the standards of previous westerns, drowning in anachronisms, drug taking, we’re witnesses to suicide and rape. The two protagonists are all the more fascinating for it, maintaining their rules, credos, and self-respect in such a world. Paradoxically, there is something of the essence of freedom in such a dirty and disillusioned film, as if suggesting that only a completely broken world can offer the ultimate possibility of self-realization; see further post-apocalyptic works, zombie films, etc. (2021-07-08)

Once again, the flawless Leone and his other contribution to the highlights of the western genre, which stands a little unfairly in the shadow of The Good, the Bad and the Ugly. In addition to the traditionally excellent direction, script and music, the film is mainly driven by Clint Eastwood and Lee Van Cleef, who, as two rival bounty hunters, create a dangerous and "hellishly fast" central duo that I definitely wouldn't want to cross paths with. The story is not as extensive as in The Good, the Bad and the Ugly, but everything is made up for by the perfect atmosphere full of charged colts, delicious man-on-man fights and the character of the two mentioned "antiheroes", who spare smiles, but give joy to every genre fan. I have nothing to complain about, definitely my favorite western after Once Upon a Time in the West :) (2011-04-21)

After rewatching For a Few Dollars More, I’m sticking with my original five-star rating, especially after giving A Fistful of Dollars four stars. Why? Because this one just hits harder for me. The story is more engaging, Lee Van Cleef is the perfect counterpart to Clint Eastwood (side note: if you’re a WoW player, the name Van Cleef is probably burned into your brain). Plus, Sergio Leone didn’t make the mistake of swapping out the genius behind the music—Morricone’s score is still a masterpiece. I’ve said it before in my review of A Fistful of Dollars, but it’s worth repeating: Leone’s spaghetti westerns outshine most of the American originals, and Clint Eastwood has always been more my style compared to, say, John Wayne (whose politics have always put me off, to be honest). So yeah, this one’s a winner. By the time the credits rolled, I felt like I needed a shower and a full dental cleaning—this movie is so dusty and gritty, it’s like the sand gets everywhere. / Lesson learned: $27,000 in cash takes up way more space than you'd think. (2023-07-23)

The year 1965 was a turning point in world cinema. A year after his gun-slinging western debut, Sergio Leone added a few more bucks on top, embarking on a long line of “übermovies". Admittedly in the shadow of the two following movies, but even so it is a simply perfect piece. Ennio is also at his creating zenith and what his music manages to do with a scene that is already perfect is simply amazing. For instance, the “watch" duel in the ruins of the church... To help things, the casting is simply wonderful. The central duo needs no mention, but it would be a sin not to highlight Gian Maria Volanté in the role of El India. This is simply one of those MUST SEE pictures. Adios. (2008-02-03)

Sergio Leone had a great gift. After just a few minutes of the usual silence, he takes the cigar out of his mouth and I tremble, hoping that the paths of the two gunmen finally cross. And when it happens, and the motivations of the characters start adding fuel to the fire, I must shockingly admit that if any of the director's epics come close to the legendary Once Upon a Time in the West in terms of quality, it's these few dollars more. The symbiosis of image and Ennio Morricone's music doesn't quite reach perfection yet, but it's damn close. (2016-08-28)