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Neil McCauley is a hardened professional criminal who has spent many years behind bars and is determined never to go back. A highly focused loner, McCauley's protection is that there's nothing in his life that he can't walk away from in 30 seconds flat. Vincent Hanna is a lieutenant of detectives in LAPD's Robbery/Homicide Division who searches through the remains of a crime for the scent of his prey and then hunts them down. Those are the elevated experiences of his life--the rest is disorder. When McCauley and his team rob an armored van of bearer bonds, Hanna takes over the case. McCauley and his crew are nearly impossible to identify, let alone track down. But Hanna's network of informants and the details of each man's life--failures and dreams, betrayals and vendettas--generate clues Hanna is able to discover. Soon, Hanna and his detectives and McCauley and his crime partners are driven towards a collision from which only some will survive. (official distributor synopsis)

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Reviews (12)

EvilPhoEniX 

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English A three-hour gem full of star actors! Few people can make a film that is so kinetic, energetic, desperate, riveting, blunt and brilliant with such a simple story. Al Pacino, Robert De Niro and Val Kilmer give perhaps the best acting performances of their careers. However, it is disappointing to see a very overlong running time and insufficient space for the female cast – Ashley Judd and little Natalie Portman – but I am satisfied. A solid olds-chool flick. 80%. ()

gudaulin 

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English A very decent, significantly above-average action crime film, which narrowly missed out on earning five stars. Charismatic characters, a thrilling story with intense scenes and unexpected twists, and an excellent cast led by Al Pacino and Robert De Niro with the corresponding performances. Unlike many genre-related films, Heat stands out with a decent script that reveals and develops the psychology of its characters. The wild shootout during the bank heist is a premature climax of the film. What bothered me was the ending, where the experienced gang leader McCauley makes a rookie mistake completely contrary to the thinking and actions of his character. Overall impression: 85%. ()

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TheEvilTwin 

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English As much as I didn't think Michael Mann was that great in Miami Vice and Collateral, I liked him 100% from the start, and although I was very skeptical about the three-hour running time, after a few minutes I knew it would be good. It's hard to pick just one aspect of the film, because Heat scores in almost all of them. The characters are fleshed out, we learn a lot about their families and overall backstory, so we as viewers get a decent foundation around which to build our emotions throughout and actually understand everyone involved and their motivations, both from the detectives and the robbers. Not to mention, all this filmmaking around the individual characters is pretty meaningful scenes and fills the runtime decently instead of the boring filler that is seen in today's output. In terms of acting, the film is uncompromising. Robert De Niro is excellent, Al Pacino fits the role of the detective beautifully, and Val Kilmer is my new favorite because he's an actor with a unique look, facial expressions, and charisma. The film oozes authenticity, the characters are written and acted excellently, we understand all their motivations and thoughts, and the action is decent too, which hints at the only problem I had with the film. I found the last hour to be a bit of a "finisher" that skimps on action and suspense, but rather just tries to draw out the climax of the relationship between the main characters and create a final impression, which is a shame because if they had gone one better with more action, a bigger shootout or a robbery, I would have had nothing to object to. All in all, though, this is a very good film that had no competition in the genre even then, and I think it would be pretty hard to find even today – Mann just showed that this is what he's good at, and Heat is a full-on action entertainer that doesn't fall short on any level. ()

Marigold 

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English I love this. A famously created script that does not divide good and evil. The antipodes have the greatest understanding for each other, and the viewer does not necessarily take a stand based on morality and incompatible principles. Two demonic outcasts, completely committed to their mission. Coincidentally, they are aiming weapons at each other. Mann carries the film with his precise directing, which has an incredibly captivating pace and timing of dramatic climaxes. The final scene is minimalist, brilliant. A precisely tuned soundtrack. Perfect cast in every detail and the appropriate acting performances. Everything works: the action, the psychology, and the plot. If you want a good crime drama, this is it. ()

3DD!3 

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English Michael Mann wrote and directed something I’ve been wanting to see for a long time. He showed us precisely the line separating good and evil and the entire movie balances on that thin line. It isn’t clear for a long time who is good. Is anybody? Or is everybody good in their own way? Al Pacino certainly doesn’t come across as a positive hero and the same goes for De Niro. Even so, you find yourself crossing your fingers for them and the ending is incredibly nerve racking. Plus the action and mainly the big shootout is so wonderfully raw that your eyes are glued to the screen. If he manages to pull off something like it with Miami Vice, it’ll be Christmas in the summertime for me. ()

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