Heat

A three-hour gem full of star actors! Few people can make a film that is so kinetic, energetic, desperate, riveting, blunt and brilliant with such a simple story. Al Pacino, Robert De Niro and Val Kilmer give perhaps the best acting performances of their careers. However, it is disappointing to see a very overlong running time and insufficient space for the female cast – Ashley Judd and little Natalie Portman – but I am satisfied. A solid olds-chool flick. 80%. (2014-02-18)

As much as I didn't think Michael Mann was that great in Miami Vice and Collateral, I liked him 100% from the start, and although I was very skeptical about the three-hour running time, after a few minutes I knew it would be good. It's hard to pick just one aspect of the film, because Heat scores in almost all of them. The characters are fleshed out, we learn a lot about their families and overall backstory, so we as viewers get a decent foundation around which to build our emotions throughout and actually understand everyone involved and their motivations, both from the detectives and the robbers. Not to mention, all this filmmaking around the individual characters is pretty meaningful scenes and fills the runtime decently instead of the boring filler that is seen in today's output. In terms of acting, the film is uncompromising. Robert De Niro is excellent, Al Pacino fits the role of the detective beautifully, and Val Kilmer is my new favorite because he's an actor with a unique look, facial expressions, and charisma. The film oozes authenticity, the characters are written and acted excellently, we understand all their motivations and thoughts, and the action is decent too, which hints at the only problem I had with the film. I found the last hour to be a bit of a "finisher" that skimps on action and suspense, but rather just tries to draw out the climax of the relationship between the main characters and create a final impression, which is a shame because if they had gone one better with more action, a bigger shootout or a robbery, I would have had nothing to object to. All in all, though, this is a very good film that had no competition in the genre even then, and I think it would be pretty hard to find even today – Mann just showed that this is what he's good at, and Heat is a full-on action entertainer that doesn't fall short on any level. (2021-08-13)

I love this. A famously created script that does not divide good and evil. The antipodes have the greatest understanding for each other, and the viewer does not necessarily take a stand based on morality and incompatible principles. Two demonic outcasts, completely committed to their mission. Coincidentally, they are aiming weapons at each other. Mann carries the film with his precise directing, which has an incredibly captivating pace and timing of dramatic climaxes. The final scene is minimalist, brilliant. A precisely tuned soundtrack. Perfect cast in every detail and the appropriate acting performances. Everything works: the action, the psychology, and the plot. If you want a good crime drama, this is it. (2008-08-26)

Heat is three hours full of genre joy. It may seem a bit dated now, and the original Michael Mann script is from 1979 and the events that inspired it are of course even older. The first endeavor was supposed to be a series, which remained at the pilot - L.A. Takedown. Nevertheless, even with that 90s look, it is still a first-class acting showcase by Al Pacino and Robert De Niro. There are solid performances even in the supporting roles, especially Val Kilmer, Ashley Judd and the young Natalie Portman. Heat has several peaks, the opulent shootout comes after two hours as the climax of the first act, surprisingly fitting into the second act is also a very well-written romance and a family drama of epic proportions. A surprisingly solid experience. (2024-03-31)

Michael Mann wrote and directed something I’ve been wanting to see for a long time. He showed us precisely the line separating good and evil and the entire movie balances on that thin line. It isn’t clear for a long time who is good. Is anybody? Or is everybody good in their own way? Al Pacino certainly doesn’t come across as a positive hero and the same goes for De Niro. Even so, you find yourself crossing your fingers for them and the ending is incredibly nerve racking. Plus the action and mainly the big shootout is so wonderfully raw that your eyes are glued to the screen. If he manages to pull off something like it with Miami Vice, it’ll be Christmas in the summertime for me. (2006-06-20)