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Miles Morales returns for the next chapter of the Spider-Verse saga, an adventure that will transport Brooklyn’s full-time, friendly neighborhood Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team of Spider-People to face off with a villain more powerful than anything they have ever encountered. (Sony Pictures)

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Reviews (11)

3DD!3 

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English A buttload of ideas, a celebration of all the artists who gave each of the worlds a special and unique atmosphere. The action scenes are so awesome that you will want to go back to the cinema very soon, to enjoy and study them. However, it is not only the visuals that keep the viewer engaged, the script also deserves praise. Each character is well thought out, has a mini-story and evolves. The wisdom that the Spider-men/women share makes sense and is fun (because Spidy is a funny guy), every viewer will find something here. I, like Peter B. Parker, also had a daughter since the first episode, and did I identify my paternal stereotypes in him? Of course I did! And that’s how well the characters are written. Everyone will find something. It also has its own fatality and an unusual villain who got caught by a donut in the first film and then had a bit of bad luck. From nerdy scientist and third-rate villain to the destruction of the multiverse quickly and easily? Well, maybe not destruction... maybe, because we'll have to wait for the next part. So, to sum up: after the magazine ad, it steps on the gas pedal all the way to the floor and doesn’t slow down until the open ending. ()

TheEvilTwin 

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English I was skeptical about this film before the screening, and for a while I doubted whether it could move forward meaningfully in terms of plot from the first part, whether it could still be visually arresting, and whether the humor and characters would be entertaining enough to carry it. But all of that left me after a while, and I'm back to being excited like a little kid and wanting the next part right now because I can't handle waiting another year. Story-wise, the film makes perfect sense, it composes the MCU Spiderverse elements perfectly, it completes the concept of the multiverse, it serves us cameos from the "live-action" Spider-Man, comic book memes of the three Spider-Men, a bunch of fun references and especially the characters. With these, I was worried if they could even hold a candle to Spider-Ham, but here we get not five Spider-Men like in the previous part, but literally hundreds to thousands of versions of him, and Indian Spider-Man, Spider-Horse, a Samurai Spider-Man, and a Spider-Car that had me in stitches with laughter. The best part of it all is that the visuals and comic book style once again bust my balls, bringing a fresh style to the screen and that we once again have plenty of action, with the definite highlight being the fight of a hundred Spider-Men against each other, where I didn't know who to look at first and was squirming in my seat like a prostitute in church. As the film draws to a close, it adds to the hardness, the tension builds and the harder and harder punk-rock-hip hop insert kicks in until the very finale, which.... Well. I guess we'll have to wait for that. It certainly leaves a bit of a bitter aftertaste to the end of a brilliant comic-book pleasure for nerds of the highest level, and is a bit reminiscent of Harry Potter 7.1 or Dune, but at least we have something to look forward to. Awesome!! ()

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Filmmaniak 

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English This unbelievably rich animated comic-book movie draws from a deliberate sense of detachment, internet memes, pop-culture references, the long history of comic books and the sense of refinement with which its creators approach the frenetic action scenes and work with the characters. Despite its ultra-brisk pace, abundance of gags and wealth of dynamic action, the thrilling audio-visual feast packed with imaginative details maintains, through the story of two young superheroes and their family background, a serious dramatic level highlighting the quiet emotions and slower dialogue passages built on family relationships and the themes of fatefulness, growing up and the struggle against predestination. ()

Jeoffrey 

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English Deducting half a point for the ending, It's not a series to be abruptly cut off during a crucial turning point. Since the title didn't mention anything like "Part 1", I was left feeling somewhat cheated, akin to an evening of the best sex I've had (in the past couple of years) suddenly disrupted halfway through, with a smile and "Come back in a year..." and the door slamming shut. This sentiment wasn't mine alone; the parents in the cinema were furious about the ending like little children, and their little children were just as disappointed. Despite the half-empty theater mid-week, the shared discontent only intensified my own frustration. However, I'm reluctant to deduct more than half a point because, overall, this was an amazing experience. Catering to zoomers, boomers, parents, and children alike, the film is dynamic, filled with great lines, touching emotions, and a universal message about the importance of family. From various perspectives, it manages to stay relevant to everyone. In the realm of animation, Spider-Man exudes creative brilliance, incorporating pop culture references, nods to other Spider-Man movies, and notably, flawlessly utilizing the famous Spider-Man meme template. Aside from the abrupt ending, I find little to criticize. The film held my attention throughout, and its almost two-and-a-half-hour runtime just raced by. If told I could watch another three-hour sequel, I'd gladly stay until midnight. Like Into the Spider-Verse, this was an exemplary animation experience, showcasing the medium's capabilities and adept use of colors to enhance scene atmospheres. If not for the ending — but enough about that, 9.5/10! ()

MrHlad 

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English I've seen the first Spiderverse several times and I reckon I'll make time for the second one sometime in the future, and not just once. I'm a bit jaded about it now, though. The second animated Spider-Man is awesome and even more imaginative, playful and wilder in terms of audiovisual style, and isn't afraid to mix different styles together. It works well with the music and is simply great to watch. Plus, it works perfectly in the moments when it slows down and tackles romance, drama and emotion. You'll just root for a happy ending for these characters, even though it's obvious from the start that the road to it will be very thorny. Still, I do have one problem with Across the Spiderverse. It's a little too wild at times. The first fight with the The Spot felt a bit confusing and overly fast, and the same is actually true of all the action sequences, which are bigger and have an awful lot going on. I also had trouble keeping up with it a little bit. Even with the first film, I felt like the final battle needed a bit of a looser pace to enjoy it with everything, but here they step on the gas a bit more (it's a sequel rule, so that's to be expected), and I barely managed to exhale after each major action sequence, telling myself that it looked great, but at the same time I had to admit that I probably missed a lot of interesting stuff. I'm a bit sorry about that, because I would have liked to enjoy the movie to the max the first time and not think at the wildest scenes that I might have preferred to flip through an artbook at my own pace rather than watch a movie that was just crazy wild at times. A bit too much for my taste. After a second viewing, hopefully I'll be clear on whether the new Spidey is great or "just" damn good. EDIT: So I went a second time and knew what to focus on and enjoyed it a star more. ()

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