Directed by:
Guy RitchieCinematography:
Alan StewartComposer:
Christopher BensteadCast:
Jason Statham, Holt McCallany, Josh Hartnett, Darrell D'Silva, Jeffrey Donovan, Scott Eastwood, Andy Garcia, Eddie Marsan, Deobia Oparei, Laz Alonso (more)VOD (1)
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A mysterious and wild-eyed new cash truck security guard (Jason Statham) surprises his coworkers during a heist in which he unexpectedly unleashes precision skills. The crew is left wondering who he is and where he came from. Soon, the marksman’s ultimate motive become clear as he takes dramatic and irrevocable steps to settle a score. (SF Studios Fin.)
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Reviews (16)
Feel my Wrath! I'm shocked what a gem Wrath of Man turned out to be. I was expecting a classic Statham action movie, but instead I got a well thought-out revenge-heist and gangster film with an atmosphere so dense, raw, and unpleasant at times that I was genuinely scared. There is less action than I expected, but considering the overall result, I forgive everything. The trailer showed maybe 10%, and I was shocked at how the movie turned out. I had no idea where it was heading. Jason Statham definitely has the best role of his career playing an angry, pissed-off boss with a cold expression craving revenge, but at the same time, he has character and doesn't kill people who are not against him. This is the dreamed badass protagonist I love, and I finally got to see him. The young Scott Eastwood impresses as well. He shows for the first time that he can act, playing a slimy, cold, and evil character flawlessly. The story is told retrospectively from multiple angles and perspectives, just the way I like it. There are a lot of tough guys who command respect, blood is not spared, neither are corpses. The final heist plan is as well-thought-out as in Money Heist, and the action-packed half-hour at the end is more than satisfying. The sound effects of the guns are stunning! (no muffled gun barrels). The whole movie is accompanied by a gripping and dark soundtrack that elevates it even higher. I must praise the realism and authenticity of the entire story. (the scene with the SWAT team, those guys commanded so much respect that I started to wish they would never come out of that car, otherwise they would take me away!). The final reckoning is among the sweetest revenge endings I've ever seen, and of course, there was one unexpected twist. A truly amazing manly feat loaded in all directions, and I'm looking forward to watching it again! I enjoyed it immensely. A contender for movie of the year! 9/10.
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It's as if, after the more or less upbeat and cheerful The Gentlemen, Guy Ritchie decided he had to set things straight somehow, and he made the darkest, meanest film of his career. In Wrath of Man, he cuts back on his trademarks of frantic editing and narration, the film doesn't rush anywhere and has time to crawl under people's skin – and make you feel quite uncomfortable. Atmospherically, it reminds us of something between S. Craig Zahler's films and 70s thrillers, and thanks to the non-chronological narrative, it manages to be a fairly B-movie story into something you can't take your eyes off. And then we have Jason Statham, who has never had a better role in his life. His uncompromising expression and Ritchie's unexpected approach to directing (that music!) actually make the film quite uncomfortable to watch in the end. You can feel the anger, rage and aggression bubbling to the surface, with both men doing their best to delay the moment when the carnage breaks out. It's almost torturous, but it works brilliantly. Ritche has made a very different film than his fans would expect him to make. This vigorous sidestep shows that he's far from showing everything he can do as a filmmaker. I'm happy for him and his new release. Very happy.
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Projects by Guy Ritchie usually stand out for their playfulness and lightness, which this time has been replaced by straightforward action full of violence, testosterone, developed musculature, and a sullen gaze à la Sylvester Stallone on the face of Jason Statham. Although he is not usually cast by directors in roles of intellectuals, here his unchanging frosty expression is a bit of a shame. The simple story about a journey to get revenge wouldn't bother me if Ritchie hadn't made it into such a popcorn flick. Supermen who knock down six opponents with six shots from dozens of feet away belong in fairy tales that I don't appreciate. Additionally, I get the impression that the team of screenwriters did not do a good job in this case, and a few times I incredulously raised my eyebrows at the strange shortcut in the plot or the behavior of the characters. However, Ritchie is too good of a director to make an outright bad film, especially since this one appeared at just the right time after the forced fasting imposed by the COVID epidemic. Within the genre, it is clearly above average, and any fan of action spectacles can confidently add a fourth star to my overall impression of 60%.
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I never would have guessed that Guy Ritchie would direct such a ruthlessly understated revenge thriller starring Jason Statham. Sure, I’d expect Ritchie to team up with Statham, but I’d also expect an over-the-top spectacle. Instead, we get a quiet warrior patiently waiting for his revenge, and anyone who crosses him doesn't live to tell the tale. It's a very interesting and surprisingly good film.
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I've had a long-standing problem with Statham and I just don't enjoy watching him. But when I think about it, I don't think I've seen him do anything better. The superiority and smugness that characterizes perhaps every one of his roles suited me just fine this time. It was funny and tough at first, then hard and ruthless later. Good characters, atmosphere, cinematography, editing. Well, I haven't left a movie theater this impressed in a long time. Then again, I haven't left a movie theater at all in a long time.
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