Goodfellas

It may not be the best film among gangster movies, but it is certainly a significant above-average. In comparison, for example, with the French film A Prophet, it lacks the feeling of absolute authenticity and, on the other hand, I feel a certain, albeit not big, effort to make the gangster environment more attractive, which is understandable for commercial reasons. Probably the most remarkable role by Ray Liotta, who later couldn't capitalize his talent as he probably imagined. The film depicts the arrival of an ambitious boy among the local gang and his gradual rise in the criminal environment, which eventually leads to his arrest and cooperation with the police. Scorsese is an experienced director and in these waters, he feels at home, and he relied on a number of top actors perfectly corresponding to the viewer's ideas about mafia bosses and their buddies. Robert De Niro and Joe Pesci already have a patent for similar roles. Overall impression: 90%. (2010-03-11)

Scorsese is a household name in the realm of mafia films today, and Goodfellas, made by him, is a shining diamond that stands out from afar. Like The Godfather, Goodfellas doesn’t rely on heavy doses of action and shootouts, but rather on a well-crafted story, incredibly witty dialogues, and the best ensemble cast around. The main trio of actors made no mistakes throughout the film that would cause me to rethink my opinion. The dialogues delivered by Liotta as the narrator had me laughing out loud multiple times. De Niro's stone-faced demeanor was flawless once again. And Pesci? He’s a demon who undoubtedly deserved an Oscar for his supporting role. I wouldn’t want to befriend such a hot-headed man with a gun at his side, knowing I could lose my head at any moment. If the other actors shone, Joe Pesci simply doesn’t seem like he’s from this planet. An unforgettable performance, in my opinion. Another strength of the film was its portrayal of the absurdities in the everyday lives of mobsters, which a normal person can hardly imagine. It’s a true experience that won’t easily fade from my memory. And the scene with Pesci’s removal? I haven’t seen such an unpredictable and brilliantly conceived scene in a long time. I give it 91%. (2017-01-26)

Goodfellas has become a legend in its own right. Scorsese shows us the criminal world of the time without unnecessary exaggerations and believably, and, with a generous help of typologically perfect actors and a diverse soundtrack, he builds the period atmosphere and helps us understand almost perfectly the specific mood of the members and hangers-ons of the Italian mafia. All of this, of course, wrapped up in formal mastery, thanks to which the viewer has not the slightest chance to fall out of the perfectly matched rhythm, which conductor Scorsese expertly dictates with the aforementioned soundtrack (the music makes me want to experience that time so much), a fabulous cast (the central pair rock, with Pesci deserving the crown) and a great script that pits the protagonist against first his morals (his father), then his family life and finally against his own, while never ceasing to build and enthral with its psychological plausibility. And also, it's extremely funny and inventive (stop-motion, later inspired by Steven Soderbergh, for example; at times grotesque but always relevant violence; cool camera rides in interiors; shifting narrator positions to support complex story development). I like Casino better, but Goodfellas is very close to perfection. 90% (2015-06-20)

A perfect portrait of the brutality and cruelty of people who assume the role of demigods who decide the life and death of others. De Niro, with his fluffy shoulders and swaggering gait, is flawless. Ray Liotta in the only role he can be proud of. Joe Pesci would successfully reprise the role of the murderous brute a few years later in Casino. A mafia saga that would be a big mistake not to watch. (2003-04-13)

A decent gangster film, but not as entertaining and action-packed as Carlito's Way. I missed a better cast here, except Robert de Niro, who was not even the main character. Ray Liotta is a B-movie actor, so I shake my head in confusion at the director's choice of the main character, but I’ve seen worse. There is not much action, the film is suitable for one viewing only, also because of the overblown running time, but fortunately I was not bored. The story is interesting, but unfortunately it didn’t pull me in. Martin Scorsese's direction, however, is perfectly fine.75% (2015-01-13)