Unbreakable

Shyamalan's originality cannot be denied, and in a certain sense, his creativity and inventiveness are evident in every one of his films. However, the story didn't feel as powerful to me as in The Sixth Sense, nor as dynamic and suspenseful as in Signs. (2005-04-04)

I just found the denouement a little rushed. Since the whole film slowly flows and very little really happens, I found the ending unnecessarily too violent. Considering how Unbreakable is shot and the high quality of its craftsmanship, the ending definitely deserved more space; here I think Shyamalan didn't quite pull it off in terms of the script. Otherwise, I have no complaints – the atmosphere, the music, the cinematography, the directing, the great Bruce Willis and Samuel L. Jackson, and Shyamalan's traditionally great cameo – there's nothing to fault. 85% (2009-09-11)

I'm a sucker for mysterious, even supernatural movies. I enjoy watching them and discovering what’s happening along with the characters. It's just that these 106 minutes felt like an eternity. Even the cast couldn't save it. If there was any tension, then I clearly wasn’t paying enough attention in physics... It seems I only crossed paths Mr. Shyamalan in 1999 without so much as a fart since then. Unbreakable was just a mystical bore. (2018-12-17)

Interesting idea, weaker processing. The Achilles' heel of the film is that it has no de facto supporting plot - it only works with the subtle transformation of an ordinary person into a hero. Oddly enough, it's not particularly boring, but towards the end of the film, I had a persistent feeling of "when will it finally start". More than the indestructible dad Willis, I liked Samuel L. Jackson's mysterious glass man. Through an interesting subject, Shyamalan didn't quite break into the film, but he got somewhere halfway. Still, I like this "hero myth" film more than The Sixth Sense. The less shocking it is, the more impressive it is. A pleasant spectacle that reflects both the phenomenon of comics and the phenomenon of father-son relationships, but it could not resist superficiality... (2004-02-01)

One of M. Night Shyamalan's best films, which I like because it draws from superhero comics. I like the more civilian approach to superheroes, and this film takes it almost to complete realism. I also like the slow-motion shots and the way the characters act. There is a hint of pathos, which prevails in Shyamalan's recent films, but it's balanced to a degree that makes it more than bearable. Moreover, the point was good this time too. Even after all these years, I still like this film a lot. Maybe even a little more, because this subject fascinates me. (2014-05-17)