Directed by:
Steven SoderberghScreenplay:
Scott FrankCinematography:
Elliot DavisComposer:
David HolmesCast:
George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle, Dennis Farina, Albert Brooks, Nancy Allen, Catherine Keener, Isaiah Washington, Steve Zahn (more)VOD (3)
Plots(1)
A female U.S. Marshall is taken hostage during a prison break and falls in love with one of her captors. After she escapes her captors, Karen joins the manhunt team. But she keeps running into the diverting Jack, who is engaged in a diamond heist, the infamous 'one last job'. Soon each one must consider their loyalty to their chosen professions. (official distributor synopsis)
(more)Reviews (3)
I can't shake the impression that Steven Soderbergh went a bit overboard with the dialogues this time and should have pushed harder on the dynamics of the story. George Clooney is slick and Jennifer Lopez looks good, but in some parts, the drive disappears. It is also impossible not to notice the often messy and somewhat convoluted editing, which is like an eyesore in a chillout film. Three stars for maintaining a solid intellectual level despite some flaws, and for the incredibly shot, lit (!), sound-designed (!), and acted romantic scene in the restaurant and hotel, which is undoubtedly among the top 10 in the history of the silver screen, supported by beautiful set design (room decor) and captivating details (snowflakes fluttering outside the window).
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It's true that a little more pace wouldn't hurt and not much actually happens, but what do you expect from a retelling of a Leonard's novel? And yet, I like this film, it breathes a sense of well-being. Clooney is likeable, Lopez is hot and a surprisingly decent actress here too, and Soderbergh is a mark of quality. I also enjoyed Don Cheadle in his villainous creation, his act with the fish always makes me laugh. Also, the scene where Clooney dumps Lopez in the trunk of the car and the dialogue that accompanies it is absolutely magical. The overall pleasant mood of the film is perfectly underscored by David Holmes' laid-back soundtrack.
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In its details, Out of Sight is quite enjoyable because, for example, the long bonding scene of the main couple, which perfectly fits with the excellent soundtrack, feels intimate and fresh. However, Steven Soderbergh characteristically loses himself in the whole, stumbling directly towards the goal and thus foreshadowing his later period of alternating hit or miss.
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