Directed by:
Steven SpielbergScreenplay:
Steven SpielbergCinematography:
Janusz KaminskiComposer:
John WilliamsCast:
Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson, Sam Robards, William Hurt, Ken Leung, Kathryn Morris, Jake Thomas, Ashley Scott (more)VOD (2)
Plots(1)
A highly advanced robotic boy longs to become real so that he can regain the love of his human mother. (official distributor synopsis)
Videos (2)
Reviews (11)
Crafted brilliantly, Spielberg's technical precision can't be denied, it's not even up for debate :)). Again, magical music by John Williams, really excellent cinematography by Janusz Kaminski, and Spielberg's script based on a story by Kubrick is also very good... But now comes the "but" :)) But despite the sympathetic performance of H.J. Osment and the great Jude Law, I was just missing something, something extra, the SOMETHING that maybe Close Encounters of the Third Kind had... And I still felt that Spielberg pushed the envelope a bit at the end, but that may just be my silly subjective feeling. Nevertheless, an extraordinary and repeatable experience!
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A concept from Stanley Kubrick, directing from Steven Spielberg, and in the end, a beautiful film full of naive searching, simple and human thoughts, breathtaking performances by Haley Joel Osment and Jude Law, and a conclusion that will blow your mind. I admire this film for being able to combine traditional Spielbergian family values with a fascinating vision of the future, a plethora of technical gadgets, and many intellectual stimuli.
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A little different than I expected, but that's probably what made A.I. that much better. Spielberg's science fiction movies are among my favorites, and this one's no exception. Especially the ending (featuring the World Trade Center) was very impressive. Spielberg simply knows how to do these things. Haley Joel Osment was great and really impressive in his special role. The special effects are top notch, Williams' music is one of the best, and Teddy is cool :-).
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A post-humanity horror film and a film that strays heavily from Spielberg's previous style. It feels very closed, isolated, surreal, and most importantly, fatal. Despite its piecemeal screenwriting and production missteps, it is an exceptional film in how convincingly it closes the human chapter. Not just in the story, but also in the work with visuals, with Kaminski working with a tightly defined, hazy space and the role of sounds and music here uncharacteristically subdued for Spielberg and Williams, giving the film the impression of a memory even as you watch.
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No, I wasn't expecting miracles, which was good, because there weren't any. The emotions of the story of the "dream robot" are maintained mainly by the flawless Osment, but it is a pity that Spielberg has kind of forgotten how to make an ending. Like Minority Report, A.I. is stretched into an awkward happy ending. If the credits had surfaced a few minutes earlier, it would have been an excellent film, but the offered end is hellish nonsense. It’s too bad. Convincing visually and in terms of acting, this is a science fiction with a little more thoughtful subtext, but Spielberg can do better. Add a half to the three stars.
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