Howl's Moving Castle

The transition from a steampunk fairy tale to a philosophical adventure full of various metaphors was so smooth that I didn't even notice it and I was entertained from beginning to end, even though I was sometimes confused about what was going on, especially in the finale. I’m sure I’ve written several times already that Miyazaki's imagination is admirable, but I'll happily write it again. A beautiful film with a beautiful idea. (2023-10-14)

I can't help but like this movie the most from Miyazaki so far, where does a Princess Mononoke a.k.a. eco-agitator go? :-) No, but I just find this a beautiful story with music that suits it. My only regret is that he didn't dye his hair back in the end, he really liked the blonde one better :-)) Daisuki! I'm going to bed with a smile on my face, reassured. And I like it that way because I want to have a good night's sleep. But that doesn't belong here anymore. ;-) (2009-05-06)

The most romantic creation from the Master of fantasy. Throw away the quality standards because here we fly over mountains, doors open into four different spaces, all the main characters change their appearance, and magic is not far away. And the world of animated film is once again richer by one little treasure, much to my immeasurable joy. (2008-12-07)

Miyazaki first got me with Spirited Away and here he confirmed his status as one of the best animators ever. In many ways, Howl’s Moving Castle and Spirited Away are similar (the look of the characters, the love motif between the girl and the supernatural being), but this is not a bad thing at all, because the director knows how to present it with elegance. If I were to compare these two Miyazaki's works, Spirited Away would win by a hair. The Witch of the Wastelands was a really interesting character and the castle itself was unique. The music and animation were a feast for the ears and eyes. This director just knows how to engage the viewer. (2010-02-13)

What I appreciate about this film is its unpredictability. Miyazaki completely breaks the stereotype of fairy tales or fantasy stories – you have no chance to guess what will happen in the next few minutes, you are constantly surprised, the differences between bad and good characters are blurred (the one who is the embodiment of evil at the beginning can become a good friend) and all this happens without any stumbles in logic. Moreover, Miyazaki is like a small child, blessed with a vivid imagination, throwing one obscure idea after another in front of him. The film combines the classic fairy tale world with the industrial age of steam, the classic world of magic with crazy war mechanisms. The viewer's senses are so overwhelmed that the final impression sometimes teeters on the verge of being cluttered (which is my only complaint). (2012-02-16)