Deadpool & Wolverine

I don't think so this time. The "Deadpool" stuff (the R-rating, the fourth wall breaking, the meta commentary) still worked decently, but unfortunately there is at least as much "Marvel" stuff. The aimless layering of attractions, which for me as someone who doesn't have a vivid memory of all those comic-book films, was almost mind-numbing. I probably never saw half of the cameo roles, and I don't remember a quarter of the characters, and I didn't recognize a quarter of them at first given how they’ve aged. I'm really not happy that we've clearly entered an era where to fully enjoy a new movie, you need to know not only the Marvel movies, but also the Marvel TV series, the X-men universe, the Fantastic Four, and other Disney acquisitions. The bad thing is that I don't see any more ways to get any audience enjoyment out of this, it's pure fanservice. The plot is the classic overwrought Marvel nonsense of recent times where the bad guy wants to destroy worlds because why not. Most of the story takes place in yet another new space we've never seen before, and it's all governed by rules that are pulled out of think air and always told a minute before they're acted upon. 5/10 and I regret not going to see Twisters instead. (2024-07-29)

A revival of the best that we have seen from the Marvel and X-Men movies. A nerdishly well-crafted pop-up book of sketches with bold references not only to the characters and relationships of the comic-book world, but also to the behind-the-scenes workings of Hollywood studios, and which are not afraid of being honest and poking fun at themselves. Superbly utilised buddy potential between Wolverine and the comical Deadpool, for whose wisecracking Ryan Reynolds could apply for a patent. The female villain is interesting and powerful, and old characters make surprising appearances. Hugh Jackman performs as if his life depended on it and pretty much everyone gives their all, as if it was a matter of saving a phenomenon. Which it also was. (2024-07-29)

If it ain't broke, don't fix it. And Deadpool, unlike the rest of the MCU, isn't broken, so he's doing what he did last time and audiences enjoy it. The combination of gleeful violence, juvenile slapstick and solid directorial craftsmanship is spiced-up with the return of Wolverine, the great chemistry between Ryan Reynolds and Hugh Jackman and a throwback to the days of Fox comics. But anyone expecting the third Deadpool to bring any major changes to the MCU will be disappointed. A proper Deadpool comic book movie with Logan as a bonus. Nothing more, nothing less. (2024-07-24)

This was for fun, it doesn't care about saving Marvel, it's more like the writers are making fun of it and reveling in the fact that it won't make sense. Isn't it? Ryan Reynolds and Hugh Jackman made an action flick where violence solves a lot of problems as long as it's done politically correct and with humor. It's reminiscent of their commercials together, which I love from the bottom of my heart. Aviation Gin Deadpool edition. Millions of references, great cameos that make sense, and many that will make any movie fan's kid heart flutter. The acting is just top notch, and Emma Corrin though she's in the role of the boilerplate baddie rocks. The subliminal line about us incompetent guys (guys and car salesmen?) who never make it to the Avengers pulls the whole movie through and almost moves you. Deadpool has always kicked second league (go Wrexham!) now he's kicking it for unreal money and I root for him. P.S: The running joke with Johnny is an absolute blast. (2024-07-25)

A madcap romp where half of it doesn't make sense, but a couple of one-liners are really good and the return of the old guys is a real treat. Hugh Jackman as we love him and surprisingly in super form again. I wouldn't go for it again, but kudos to Shawn Levy for his wholesomely politically incorrect, at times pretty wacky style and awesome action flick. (2024-08-07)