Kingdom of the Planet of the Apes

A script that could easily have taken 100 minutes of running time. At least in the first third of the film, the heroes are sometimes groping in a breathtakingly made visual arrangement full of crumbled skyscrapers in an overgrown jungle, and it takes a hell of a long time before it starts to have any momentum and any systematic direction in which the new Apes want to go. The umpteenth sequel, which thankfully doesn't degrade in the style of Fast and Furious and other similar mega-sagas, but still maintains a spare, relatively minimalist storyline and very reasonable action that doesn't come at the expense of storytelling. The ending got it moving solidly, but it lacked top speed. Plus, in some moments, the filmmakers took strong inspiration from recent contributions to the Mad Max franchise. (2024-07-12)

Apes strong together... With Caesar's passing came the necessary long exposure. The new hero Noah, the new heroine Nova, and of course family and friends. Funny sequences about the foul odors of human females alternate with themes of artificial evolution. Knowledge and technology vs symbiosis with nature is beautifully sketched out and could use more elaboration, but there's no time. Wes Ball is building the fertile ground for a new trilogy and succeeds in presenting an interesting world that I want to know more about. A world that nature has taken back from humans and where the Legend of Caesar takes on a life of its own and is subjected to new interpretations. The apes, as a product of our failure, slowly tread our path, but have the ruins of our triumphs in their sights, which they want for themselves. I wonder where they'll take it. I'm sorry the smart people haven't disappeared. I'm waiting for the astronauts to arrive and visit New York. But this is missing the point. (2024-05-13)

Old school = wandering through the collapse and ruins of civilisation with a fine atmosphere and rather likeable characters, but they barely manage to fill up the film’s 144 minutes, which is objectively twice as much time as the plot needed. Visually, Kingdom of the Planet of the Apes is a very nice film that will please people who love the Rise of the Planet of the Apes with its intimate setting and emphasis on minimalistic action. But Noa isn’t Caesar and, unlike Reeves, Ball isn’t enough of a baller to give Kingdom that special apocalyptic touch that Dawn of the Planet of the Apes had. Overall, however, this is a respectable contribution to the canon. It’s just a shame that the ending rather promises a variation on the original trilogy with a somewhat less charismatic protagonist. (2024-05-09)

Yes, it's true that the last third doesn't live up to the two previous ones, although it really tries to, but otherwise it's basically a repeat of the 13 year old surprise from Rise of the Planet of the Apes, which I wasn't expecting much from either. This time, we've finally reached the stage where the apes are playing the lead and humans have taken second fiddle (although it may be different again in the sequel), and it's great. The visual effects work their magic again, the characters are 100% believable, the story is interesting and exploring an alien but familiar world definitely has its charm (2024-05-16)

A slick Hollywood adventure with nicely constructed ape characters featuring flawless digital rendering of their facial expressions. And a screenplay rich in plot development in a beautiful, varied setting. But toward the end, there are some things in it that don’t make sense, that don’t correspond to the preceding meticulous narrative and the building of relationships between the characters or their logical behaviour. It seems as if there wasn’t time to polish the last few pages of the script. (2024-06-05)