Reservoir Dogs

Before Quentin Tarantino's arrival, either generous, academically precise gangster films were being made, such as The Godfather series or Once Upon a Time in the West, or cheap and terrible B-movies that couldn't be taken seriously. Tarantino brought new energy, vulgarity, and interesting characters to the crime genre - his characters are a collection of various psychopaths and scoundrels of the worst kind - and above all, he brought back the entertainment value and attractiveness to crime films for film fans. Elements typical of his style are present in his debut - the alternating timelines, dialogue-driven scenes, violence portrayed as entertainment, and a provocatively pop-cultural mix of music motifs. In his beginnings, Tarantino worked to create a significant revival and I truly like his early films, unlike his recent works. If I can criticize anything about Reservoir Dogs, it would be its rather short runtime, as it could easily have been half an hour longer, and the audience could have gotten to know the fates of the remaining members of the gang. An inexpensive film that scored points with its excellent casting and provocative content. Overall impression: 90%. (2008-10-22)

Paradoxically, Reservoir Dogs was my "last Tarantino movie". I got exactly what I expected, and given that those expectations were high, I found absolutely no fault with it. A typical Quentin mosaic, great music, dialogue (it's just cool) and a foreshadowing of future Pulp Fiction or Jackie Brown style of flicks to come. (2009-05-22)

I've seen the film several times, and every time, I feel like I discover something new, or rather, I realize even more how well thought out the entire screenplay is. While Tarantino is often praised for his dialogues, he can be equally praised for the entire structure of the story, which is absolutely brilliant, despite the simplicity of the whole premise of the messed-up heist. A master is simply a master. (2015-11-28)

Reservoir Dogs is the film with which Quentin Tarantino began his directing career in Hollywood, and over the following years, he has indelibly etched his name into cinematic history. It's amazing how successful all of his films are. Reservoir Dogs ranks among the best of the best, as it once again features charismatic actors (for me, Michael Madsen as the complete psycho was the standout), along with witty and well-thought-out dialogues (the script is always flawless with Tarantino), and ultimately, the bloodiest climax imaginable. Every director would wish for such a debut. The main draw here is certainly the dialogues, but there is also action (when the shootouts come, you'll be on the edge of your seat). I was also captivated by the characters' nicknames; I might even start using them in real life. I don’t want to focus solely on Madsen, as the others were also fantastic, and it would be an insult to overlook them. I believe no one will ever replicate Tarantino’s style in the future, as that’s something only he can do. 90%. (2017-02-05)

A gangster movie that's more about dialogue than guns isn't really my thing. The film is so talky that you don't manage to notice half of the things let alone absorb them, the actors are unknown, uninteresting and second rate, the wisecracks were neither funny nor cool – Quentin Tarantino clearly has a different sense of humour than I do, and I haven't seen a film that bored me at a mere 99 minutes in a long time. 50% for the director and for his craftsmanship, but never more torture for me. (2015-01-17)